LEADER 03360nam 2200745 a 450 001 9910464244303321 005 20200520144314.0 010 $a0-8173-8441-3 035 $a(CKB)3170000000046907 035 $a(EBL)835653 035 $a(OCoLC)772459661 035 $a(SSID)ssj0000631038 035 $a(PQKBManifestationID)12284694 035 $a(PQKBTitleCode)TC0000631038 035 $a(PQKBWorkID)10590554 035 $a(PQKB)10575451 035 $a(SSID)ssj0000606060 035 $a(PQKBManifestationID)11406069 035 $a(PQKBTitleCode)TC0000606060 035 $a(PQKBWorkID)10580464 035 $a(PQKB)11261718 035 $a(MiAaPQ)EBC835653 035 $a(MdBmJHUP)muse9105 035 $a(Au-PeEL)EBL835653 035 $a(CaPaEBR)ebr10527711 035 $a(EXLCZ)993170000000046907 100 $a20100423d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRadical affections$b[electronic resource] $eessays on the poetics of outside /$fMiriam Nichols 210 $aTuscaloosa $cUniversity of Alabama Press$dc2010 215 $a1 online resource (368 p.) 225 1 $aModern and contemporary poetics 300 $aDescription based upon print version of record. 311 $a0-8173-1711-2 311 $a0-8173-5621-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction : how to walk on the slippery earth -- Charles Olson : architect of place -- Robert Creeley : occasional verse -- Robert Duncan : master of rime -- Jack Spicer : castle of skin and glass -- Robin Blaser : the practice of outside -- Susan Howe : a special view of history. 330 $a In 1950 the poet Charles Olson published his influential essay "Projective Verse" in which he proposed a poetry of "open field" composition-to replace traditional closed poetic forms with improvised forms that would reflect exactly the content of the poem. The poets and poetry that have followed in the wake of the "projectivist" movement-the Black Mountain group, the New York School, the San Francisco Renaissance, and the Language poets-have since been studied at length. But more often than not they have been studied through the lens of continental theory wit 410 0$aModern and contemporary poetics. 606 $aAmerican poetry$y20th century$xHistory and criticism$xTheory, etc 606 $aAmerican poetry$y21st century$xHistory and criticism$xTheory, etc 606 $aExperimental poetry$y20th century$xHistory and criticism$xTheory, etc 606 $aExperimental poetry$y21st century$xHistory and criticism$xTheory, etc 606 $aPoetics 606 $aVersification 608 $aElectronic books. 615 0$aAmerican poetry$xHistory and criticism$xTheory, etc. 615 0$aAmerican poetry$xHistory and criticism$xTheory, etc. 615 0$aExperimental poetry$xHistory and criticism$xTheory, etc. 615 0$aExperimental poetry$xHistory and criticism$xTheory, etc. 615 0$aPoetics. 615 0$aVersification. 676 $a811/.540932 700 $aNichols$b Miriam$01036058 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464244303321 996 $aRadical affections$92456159 997 $aUNINA