LEADER 03391nam 2200709 450 001 9910464234103321 005 20200520144314.0 010 $a0-231-53652-6 024 7 $a10.7312/gemn16678 035 $a(CKB)2670000000518466 035 $a(EBL)1603596 035 $a(SSID)ssj0001111663 035 $a(PQKBManifestationID)11658687 035 $a(PQKBTitleCode)TC0001111663 035 $a(PQKBWorkID)11131445 035 $a(PQKB)11545913 035 $a(MiAaPQ)EBC1603596 035 $a(DE-B1597)458329 035 $a(OCoLC)960204269 035 $a(OCoLC)984681996 035 $a(DE-B1597)9780231536523 035 $a(Au-PeEL)EBL1603596 035 $a(CaPaEBR)ebr10956813 035 $a(CaONFJC)MIL574655 035 $a(OCoLC)869641461 035 $a(EXLCZ)992670000000518466 100 $a20141029h20142014 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aContinental strangers $eGerman exile cinema, 1933-1951 /$fGerd Gemu?nden 205 $aPilot project. eBook available to selected US libraries only 210 1$aNew York :$cColumbia University Press,$d2014. 210 4$dİ2014 215 $a1 online resource (297 p.) 225 1 $aFilm and Culture 300 $aDescription based upon print version of record. 311 $a0-231-16679-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tAcknowledgments --$tINTRODUCTION --$tPart One. PARALLEL MODERNITIES --$tPart Two. HITLER IN HOLLYWOOD --$tPart Three. YOU CAN'T GO HOME AGAIN --$tNotes --$tSelected Bibliography --$tIndex --$tBackmatter 330 $aHundreds of German-speaking film professionals took refuge in Hollywood during the 1930's and 1940's, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration. 410 0$aFilm and culture. 606 $aPolitical refugees$zGermany$xHistory$y20th century 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures$zUnited States$xForeign influences 606 $aMotion picture producers and directors$zGreat Britain$vBiography 608 $aElectronic books. 615 0$aPolitical refugees$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xForeign influences. 615 0$aMotion picture producers and directors 676 $a791.43097309/044 700 $aGemu?nden$b Gerd$f1959-$0923449 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464234103321 996 $aContinental strangers$92485430 997 $aUNINA LEADER 05483nam 2200685Ia 450 001 9910789885003321 005 20230725032517.0 010 $a1-119-95199-2 010 $a1-119-95201-8 010 $a1-283-40480-X 010 $a9786613404800 010 $a1-119-95198-4 035 $a(CKB)2670000000138115 035 $a(EBL)819169 035 $a(OCoLC)769342454 035 $a(SSID)ssj0000575710 035 $a(PQKBManifestationID)11367039 035 $a(PQKBTitleCode)TC0000575710 035 $a(PQKBWorkID)10550128 035 $a(PQKB)11419526 035 $a(MiAaPQ)EBC819169 035 $a(Au-PeEL)EBL819169 035 $a(CaPaEBR)ebr10523247 035 $a(CaONFJC)MIL340480 035 $a(EXLCZ)992670000000138115 100 $a20110331d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChern on dispute boards$b[electronic resource] $epractice and procedure /$fCyril Chern 205 $a2nd ed. 210 $aOxford, UK ;$aHoboken, N.J. $cWiley-Blackwell$dc2011 215 $a1 online resource (448 p.) 300 $aDescription based upon print version of record. 311 $a0-470-67033-9 320 $aIncludes bibliographical references and index. 327 $aChern on Dispute Boards: Practice and Procedure, Second Edition; Contents; The Author; Preface; Acknowledgements; Chapter 1: The Dispute Board Concept; What is a dispute board?; What makes a dispute board unique? What can be achieved by using a dispute board?; Recommendations vs Binding Decisions; Non-binding recommendations; Interim-binding decisions; Differences between dispute boards and arbitration, mediation, adjudication and alternative dispute resolution (ADR); History of dispute boards; Growth of dispute boards; An overview-composition of dispute boards and their operation 327 $aThe chairperson's roleAppointment and membership; Board member qualities; The importance of early appointment and of regular site visits; Routine operations; Subcontractors; FIDIC Conditions of Subcontract for Construction; Formal vs Informal operations; Hearings; Dispute board procedures; Dispute board costs; Why dispute boards work; Why dispute boards are claimed not to work; International aspects; The future; Chapter 2: Types of Dispute Boards; The Dispute Review Board (DRB); The Dispute Adjudication Board (DAB); The Combined Dispute Board (CDB); Common Aspects of all Dispute Boards 327 $aDispute board formationOther forms of board dealing with disputes; Chapter 3: Legal Basis for Dispute Boards; Legal Systems-Overview; Common law; Civil law; The Historical Development of Dispute Boards; Contemporary Legal Development of Dispute Boards; The engineer/arbitrator as judge; The engineer as quasi-arbitrator; The development of non-statutory adjudication; The development of statutory adjudication in the UK; Mandatory Provisions; The process under the Act; The Scheme for Construction Contracts; The Act-Main Areas-Is There a Dispute? 327 $aDoes the dispute arise under a construction contract?Is the contract in writing within the meaning of s. 107?; The process; Procedures under the Scheme; Notice of Adjudication; Appointment of an adjudicator; The referral notice; Adjudicator's Powers and Duties; Changes to the Housing Grants Act; Adjudication and Dispute Boards in England; Extension to International Cases; Specific regional non-common law country differences and methods; Host Country Rules-Dispute Boards under Common, Civil or Sharia Law; Chapter 4: Case Histories; Dispute Boards in Operation; Historical Cases 327 $aChina: Ertan Hydroelectric ProjectAfrica: Katse Dam Project; Hong Kong: Hong Kong Airport; England: Docklands Railway; England: Saltend Private Power Plant; Canada: Niagara Tunnel Project; China: Yellow River Diversion Project; USA : I-15 Reconstruction-Salt Lake City, Utah; France-England: Eurotunnel; Chapter 5: Appointing and Establishing a Dispute Board; Composition of Dispute Boards; Single-member dispute boards; Two-member dispute boards; Three-member dispute boards; Mega-member dispute boards; Micro-dispute boards; Ad hoc dispute boards; Miscellaneous situations 327 $aMajor International Appointing Bodies 330 $aA dispute board is a panel of impartial members, appointed at the outset of the construction contract, whose purpose is to monitor progress, resolve disputes as they arise and provide a forum for discussing difficult matters.This book provides an in depth analysis of dispute board law and detailed, practical explanations of how dispute boards work in construction contracts for those actively involved. as well as for those who need to learn the process. Important features of the book include: Explanation of how a dispute board works: Insider knowledge of board operations: Key documents to 606 $aConstruction industry$xLaw and legislation$zUnited States 606 $aConstruction contracts$zUnited States 606 $aDispute resolution (Law)$zUnited States 615 0$aConstruction industry$xLaw and legislation 615 0$aConstruction contracts 615 0$aDispute resolution (Law) 676 $a343.73/078624 700 $aChern$b Cyril$0867089 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789885003321 996 $aChern on dispute boards$91935374 997 $aUNINA