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101 0 $aeng
200 10$aDigital Poetics$b[electronic resource] $eHypertext, Visual-Kinetic Text and Writing in Programmable Media
210   $aTuscaloosa $cUniversity of Alabama Press$d2013
215   $a1 online resource (226 p.)
225 1 $aModern and Contemporary Poetics
300   $aDescription based upon print version of record.
311   $a0-8173-1074-6 
327   $aContents; Acknowledgments; Introduction: Language as Transmission; Sidebar: On Techne; 1. Jumping to Occlusions: A Manifesto for Digital Poetics; 2. Our Words; Sidebar: The "I" in "Internet"; 3. Home, Haunt, Page; 4. The Intermedial: A Treatise; 5. Hypertext/Hyperpoeisis/Hyperpoetics; 6. Coding Writing, Reading Code; Sidebar: On Mouseover; 7. E-poetries: A Lab Book of Digital Practice, 1970-2001; 8. Future Tenses/Present Tensions: A Prospectus for E-poetry; Sidebar: Tin Man Weeps Straw Break; Epilogue. Between the Academy and a Hard Drive: An E-cology of Innovative Practice; Notes; Glossary
327   $aWorks Cited Index
330   $aIn this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Pequen?o Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts
410  0$aModern and Contemporary Poetics
606   $aArt and the Internet
606   $aPoetics
606   $aVisual kinetics
608   $aElectronic books.
615  4$aArt and the Internet.
615  4$aPoetics.
615  4$aVisual kinetics.
676   $a802.85
700   $aGlazier$b Loss Pequen?o$01052549
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910464186103321
996   $aDigital Poetics$92483917
997   $aUNINA