LEADER 03842nam 22006853u 450 001 9910464168003321 005 20210112003618.0 010 $a1-4081-2928-0 035 $a(CKB)3710000000109581 035 $a(EBL)1748076 035 $a(SSID)ssj0001110021 035 $a(PQKBManifestationID)11603657 035 $a(PQKBTitleCode)TC0001110021 035 $a(PQKBWorkID)11116940 035 $a(PQKB)10308493 035 $a(PQKBManifestationID)16152101 035 $a(PQKB)24322980 035 $a(MiAaPQ)EBC1748076 035 $a(EXLCZ)993710000000109581 100 $a20141020d2014|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aModern British Playwriting$b[electronic resource] $eVoices, Documents, New Interpretations 210 $aLondon $cBloomsbury Publishing$d2014 215 $a1 online resource (288 p.) 225 1 $aDecades of Modern British Playwriting 300 $aDescription based upon print version of record. 311 $a1-4081-2926-4 327 $aCover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place 327 $aConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper - a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors 330 $aBritish theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama''s Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine R 410 0$aDecades of Modern British Playwriting 606 $aEnglish drama$xHistory and criticism$y20th century 606 $aEnglish$2HILCC 606 $aLanguages & Literatures$2HILCC 606 $aEnglish Literature$2HILCC 608 $aElectronic books. 615 0$aEnglish drama$xHistory and criticism 615 7$aEnglish 615 7$aLanguages & Literatures 615 7$aEnglish Literature 676 $a822.91409 700 $aSierz$b Aleks$0783256 701 $aRoberts$b Philip$0167029 701 $aBoon$b Richard$0898123 701 $aSaunders$b Graham$0898124 701 $aRees$b Catherine$0880928 701 $aReid$b Trish$0898125 701 $aRidley$b Philip$0898126 701 $aRavenhill$b Mark$0175365 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910464168003321 996 $aModern British Playwriting$92006743 997 $aUNINA