LEADER 03137nam 2200541 a 450 001 9910464111903321 005 20200520144314.0 010 $a1-283-24072-6 010 $a9786613240729 010 $a1-4438-3103-4 035 $a(CKB)3360000000431856 035 $a(EBL)1080897 035 $a(OCoLC)820123314 035 $a(SSID)ssj0000621529 035 $a(PQKBManifestationID)12264061 035 $a(PQKBTitleCode)TC0000621529 035 $a(PQKBWorkID)10616874 035 $a(PQKB)10445266 035 $a(MiAaPQ)EBC1080897 035 $a(Au-PeEL)EBL1080897 035 $a(CaPaEBR)ebr10632972 035 $a(CaONFJC)MIL324072 035 $a(EXLCZ)993360000000431856 100 $a20110926d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDylan at play$b[electronic resource] /$fedited by Nick Smart and Nina Goss 210 $aNewcastle upon Tyne, U.K. $cCambridge Scholars$d2011 215 $a1 online resource (196 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-2974-9 320 $aIncludes bibliographic references, discography [p. 183], and index. 327 $aIntroduction / Nick Smart and Nina Goss -- And the language that he used: effective linguistic tools in Dylan's lyrics / Ditlev Larsen -- She might be in Tangier: Bob Dylan and the literary / Nick Smart -- No martyr is among ye now: Bob Dylan and religion / Stephen Hazan Arnoff -- Bob Dylan and the religious sense / Kim Luisi -- May your hands always be busy / Michael Spreitzhofer a.k.a Mike Hobo -- Dylan acts his age / James Brancato -- But where are your tonight? / Cynthia Kraman a.k.a Cynthia Genser a.k.a Chinas Comidas -- Transnational Dylan: Bob Dylan and some thoughts about homes and homelessness, nations and borders, the whole wide world, and what's real forever / David Gaines -- Look out your window and I'll be gone: Dylan's art of abandonment / Deann Armstrong -- Twenty musings on Bob Dylan and the future of sound / Stephen Webb -- Plant waves: not too far off / John Hinchey -- Hispanicised Dylan: reflections on the translation of Bob Dylan's Chronicles, volume I into Spanish / Christopher Rollason -- Which people say is round / Nina Goss -- Bob Dylan discography. 330 $aDylan at Play offers a selection of writings that can challenge and engross readers eager for new ways to meet the singularity of Bob Dylan's work. We have no interest in competing Other the almost numberless and ever-increasing quantity of critical and encyclopedic writing on Dylan. Instead, our goal Other this collection has been play and not categorizing or defining. We solicited material that might, in sum, create a vision of both reverent scrutiny and mischief. In this collection, you'll... 608 $aElectronic books. 676 $a782.42164092 701 $aSmart$b Nick$0864468 701 $aGoss$b Nina$0864469 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464111903321 996 $aDylan at play$91929436 997 $aUNINA LEADER 11536nam 2200661Ia 450 001 9910806291003321 005 20200520144314.0 010 $a1-282-15693-4 010 $a9786612156939 010 $a90-272-9465-8 035 $a(CKB)1000000000520842 035 $a(OCoLC)77118779 035 $a(CaPaEBR)ebrary10075855 035 $a(SSID)ssj0000217026 035 $a(PQKBManifestationID)11228280 035 $a(PQKBTitleCode)TC0000217026 035 $a(PQKBWorkID)10215810 035 $a(PQKB)10416941 035 $a(MiAaPQ)EBC622940 035 $a(EXLCZ)991000000000520842 100 $a20040913d2005 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aOutside-in, inside-out $eiconicity in language and literature 4 /$fedited by Constantino Maeder, Olga Fischer, William J. Herlofsky 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJ. Benjamins Pub.$dc2005 215 $a1 online resource (437 pages) 300 $aPapers presented at the Fourth Symposium on Iconicity in Language and Literature organized by the Universite catholique de Louvain, Louvain-la-Neuve, University of Amsterdam, University of Zu?rich and held at Catholic University of Louvain in Louvain-la-Neuve, March 27-29, 2003. 311 $a1-58811-580-1 311 $a90-272-3225-3 320 $aIncludes bibliographical references and indexes. 327 $aOutside-In-Inside-Out -- Title page -- LCC data -- Table of contents -- Preface and acknowledgements -- List of contributors -- Introduction -- References -- I. Theoretical issues -- Iconicity or iconization? -- 1. Introduction: Two linguistic cultures -- 2. Iconicity and its ambiguities -- 3. Against the grain -- 4. Iconicity revisited -- 5. Conclusion: From iconicity to iconization -- Notes -- References -- On the role of iconic motivation in conceptual metaphor -- 1. Introductory remarks -- 2. Comparison theories of metaphor -- 3. Conceptual metaphor theory: Motivation by correspondences in experience -- 4. Conceptual integration and the interaction view of metaphor -- 5. Similarity in the conceptual typology of metaphor -- 6. Metaphors and mental imagery -- 7. Experiential correlations feeding metaphor -- 8. Conclusions: Towards a prototype model of conceptual metaphor -- Notes -- References -- Appendix -- Relative motivation in Gustave Guillaume's theory -- 1. Introduction -- 2. Operative time -- 3. The various stems of the verb aller -- 4. Two types of limitations on arbitrariness -- Notes -- References -- The beginnings of iconicity in the work of F. T. Marinetti -- 1. Introduction -- 2. What does analogy mean in Marinetti's manifestos? -- 3. Elements of iconicity in the Manifesto tecnico -- 4. 'Analogy' and 'intuition' -- 5. Marinetti and Peirce -- 6. The 'Words-in-freedom' and the development of literary Futurism -- 7. Umbrellas can be useful... -- Notes -- References -- II. Negative or inverted iconicity -- Mimesis lost - meaning gained -- 1. Introduction -- 2. The mimesis-lost-meaning-gained principle at work: Metaphor -- 3. Rhyme and rhythm -- 4. Text-picture combinations -- 5. Text and music -- 6. Summary and further thoughts -- References -- Non-supplemented blanks in works of literature as forms of 'iconicity of absence'. 327 $a1. Introduction: From presence to non-supplemented absence in signifying systems as objects of iconicity research -- 2. Non-supplemented aural blanks: The iconicity of internal and framing silence in works of literature -- 3. Non-supplemented visual blanks: The iconicity of absent print inside and around works of literature -- 4. Non-supplemented semantic blanks: The iconicity of intratextual and framing Leerstellen -- 5. Eloquent gaps and silences and the problem of marking and decoding absences as iconic -- 6. Typological reconsiderations -- Acknowledgements -- Notes -- References -- Photographs in narrative -- 1. Introduction -- 2. The surface of the image: Hidden patterns -- 3. Photographic spectrality: The object of the photographic sign -- 4. A photograph of what? Photographic self-reference in narrative -- Notes -- References -- Coconut shells and creaking doors -- 1. Acoustic signs: Iconicity, indexicality and the role of conventionalization in the radio play -- 2. Conventionalized sound-effects in the radio-play -- 3. The semiotics of Brechtian de-familiarization -- 4. "The terror of uncertain signs'': Peter Handke's Radio Play (No. 1) -- 5. Conclusion -- Notes -- References -- III. Iconicity and sound -- The iconic-cognitive role of fricatives and plosives -- 1. Introduction -- 2. Purpose of the study -- 3. Methodology -- 4. Background information -- 4.1. Types of iconicity -- 4.2. Carter and Nash: Phonetic metaphor -- 5. Procedure of translation -- 6. Procedure of transcription -- 7. The text -- 8. Semantic structure of Al-falaq -- 8.1. al-falaq: A superordinate term -- 8.2. waqab: A complex three-fold process -- 9. Phono-iconic analysis -- 9.1. The qalqala group: /q/ as a controlling phoneme -- 9.2. Glide in word-initial position: Acoustic significance of waqab -- 10. Conclusion -- References -- Iconic uses of rhyme -- 1. Introduction. 327 $a2. Perfect single rhymes -- 2.1. Performative rhymes -- 2.2. Resemblance -- 3. Imperfect single rhymes -- 3.1. Uncertainty, doubt -- 3.2. Discord and disharmony -- 3.3. Order and disorder -- 3.4. Dissimilarity -- 3.5. Inaccuracy -- 3.6. Negation -- 4. Masculine and feminine rhymes -- 5. Rhyme schemes -- 5.1. Change -- 5.2. Fragmentation -- 5.3. Embrace, frame and imprisonment -- 5.4. Uniqueness and solitariness -- 6. Iconic uses of the triplet -- 6.1. Number three -- 6.2. Circularity, return and centring -- 6.3. Continuity -- 6.4. Quantity -- 7. Conclusion -- References -- Iconic strategies in Monteverdi's Madrigali guerrieri ed amorosi -- 1. Introduction -- 2. Madrigalism and iconicity -- 3. `"Altri canti'': The verses -- 4. Iconicity in the score -- 5. The iconic strategies of Monteverdi -- 6. The two "Altri canti'': Intertextuality -- 7. Conclusions -- Notes -- References -- Appendix (related to Table 1) -- IV. Iconicity and structure -- Frozen locutions - frozen dimensions -- 1. Introduction -- 2. Deixis -- 3. Spatial orientation -- 3.1. Relative vs. absolute -- 3.2. Relative orientation: Right vs. left in Indo-European languages -- 4. The central problem -- 5. Corpus analysis - the database -- 6. Corpus analysis - findings and explanations -- 6.1. Left and right in English usage -- 6.2. Links and rechts in German usage -- 6.3. Lev* and prav* in Russian usage -- 7. Discussion and summary of results -- Notes -- References -- Some iconic correlations in language and their impact on the parole-langue dichotomy -- 1. Introduction -- 2. Deictics -- 2.1. The pronoun in the traditional perspective -- 2.2. The question: Is the pronoun a pro-noun? -- 2.3. The clue: Iconicity -- 2.4. Deictic demonstratives: A sample -- 3. Topic-head utterances -- 3.1. Topic-head utterances: A sample -- 4. Focus intonation -- 5. Conclusion -- Abbreviations -- Notes. 327 $aReferences -- The iconicity of infinitival complementation in Present-day English causatives -- 1. Introduction -- 2. Previous scholarship -- 2.1. Present-day English: Mittwoch, Dixon, Duffley -- 2.2. Diachrony: Fischer -- 2.3. Givón -- 3. The extended binding hierarchy for implicative causatives -- 3.1. Extending the binding hierarchy for implicative causatives -- 3.2. Scoring the causatives -- 4. Concluding remarks -- Notes -- References -- Linguistic representations of motion events -- 1. Introduction -- 2. What's in a motion event? -- 3. Granularity of event segmentation -- 4. Manner of motion -- 5. From typology to language use -- 6. Encoding of motion events -- 6.1. Cross-typological comparisons of path -- 6.2. Cross-typological comparisons of manner -- 7. Conceiving of motion events: Typological influences on attention and memory -- 8. Rethinking iconicity -- Notes -- References -- Now you see it, now you don't -- 1. Introduction -- 2. Iconicity and the data -- 2.1. Iconicity (image, diagram, and metaphor) in spoken and signed languages -- 2.2. The data -- 2.3. Peircean triadic iconicity and local and global signing space -- 3. Diagrammatic, metaphoric, and imagic mapping -- 3.1. Diagrammatic mapping -- 3.2. Metaphoric mapping -- 3.3. Imagic mapping -- 4. Conclusion -- Notes -- References -- V. Iconicity and narrative -- Pirandello's Si Gira -- 1. Introduction -- 2. Different ways of reading titles -- 3. Pirandello and titles -- 4. Conclusion -- Notes -- References -- Narrative structures and iconicity in Yasmina Reza's Une désolation -- 1. Introduction -- 2. Paradoxical pronouns -- 3. Dialogue or monologue? Types of speech -- 4. Fragments and blanks -- Acknowledgements -- Notes -- References -- Iconicity as a function of point of view -- 1. Defining basic notions -- 2. Assumptions -- 3. Case studies -- 3.1. Form miming viewing a scene. 327 $a3.2. Form miming recalling a scene -- 3.3. Form miming creating a scene -- 3.4. Summary -- 4. Conclusions -- References -- Iconic functions of phraseological units and metaphor -- 1. Introduction -- 2. Phraseological units and metaphor -- 2.1. Characteristics of phraseological units -- 2.2. Metaphor: Dead or alive? -- 3. Iconic properties of cliché, idiom and metaphor -- 3.1. Indexicality of phraseological units -- 3.2. Diagrammatic iconicity of metaphor -- 3.3. Innate vs. contextualized iconicity -- 4. The web of meanings in The Sacred Fount -- 5. Metaphorical and indexical iconicity in the text -- 5.1. Patterns of metaphor -- 5.2. Phraseological units in the novel -- 5.3. Wider patterns in the text -- 6. Conclusions -- Notes -- APPENDIX -- References -- Author index -- Subject index. 330 $aThis fourth volume of the Iconicity series is like its predecessors devoted to the study of iconicity in language and literature in all its forms. Many of the papers turn the notion of iconicity 'inside-out', some suggesting that 'less-is-more'; others focus on the cognitive factors 'inside' the brain that are important for the iconic phenomena that are produced in the 'outside' world. In addition this volume includes a paper related to iconicity in music and its interaction with language. Other papers range from the theoretical issues involved in the evolution of language, to those that offer many 'inside-out' claims, such as claiming that nouns are derived from pronouns, and as such should more properly be called 'pro-pronouns'. Also, this volume includes perhaps the first English-language analysis of the iconic aspects of sound symbolism in a prayer from the Koran. This is a truly interdisciplinary collection that should turn some of the notions of iconicity in language and literature 'outside-in' and 'inside-out'. 606 $aIconicity (Linguistics)$vCongresses 606 $aPhilology$vCongresses 615 0$aIconicity (Linguistics) 615 0$aPhilology 676 $a401/.41 701 $aMaeder$b Costantino$0164421 701 $aFischer$b Olga$0164714 701 $aHerlofsky$b William J$01753923 712 02$aUniversiteit van Amsterdam 712 02$aUniversita?t Zu?rich, 712 12$aSymposium on Iconicity in Language and Literature 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910806291003321 996 $aOutside-in, inside-out$94189989 997 $aUNINA