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010   $a9786613142887
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100   $a20110628d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinema and intermediality$b[electronic resource] $ethe passion for the in-between /$fby A?gnes Petho?
210   $aNewcastle upon Tyne $cCambridge Scholars$d2011
215   $a1 online resource (440 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-2879-3 
320   $aIncludes bibliographical references (p. [417]-432).
327   $aTABLE OF CONTENTS; INTRODUCTION; CINEMA IN-BETWEEN MEDIA; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; THE INTERMEDIAL DEMON OF THE CINEMATIC IMAGE; CHAPTER FOUR; CINEMA AS "THE CURRENCY" OF THE ABSOLUTE; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; RE-MEDIATING THE REAL; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; BIBLIOGRAPHY
330   $aOtherin the last two decades "intermediality" has emerged as one of the most challenging concepts in media theory Other no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the "inter-" implied by the idea of "intermediality" stands for, and what it actually entails in the cinema. The book offers in each ...
606   $aMotion pictures$xHistory
606   $aIntermediality
608   $aElectronic books.
615  0$aMotion pictures$xHistory.
615  0$aIntermediality.
676   $a791.43
700   $aPetho?$b A?gnes$01030817
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910464110203321
996   $aCinema and intermediality$92486792
997   $aUNINA