LEADER 02385nam 2200601 450 001 9910464042203321 005 20200520144314.0 010 $a1-62674-053-4 035 $a(CKB)2670000000568221 035 $a(OCoLC)878117413 035 $a(CaPaEBR)ebrary10933698 035 $a(StDuBDS)EDZ0001132005 035 $a(MiAaPQ)EBC1820925 035 $a(OCoLC)891081302 035 $a(MdBmJHUP)muse38121 035 $a(Au-PeEL)EBL1820925 035 $a(CaPaEBR)ebr10933698 035 $a(CaONFJC)MIL645557 035 $a(EXLCZ)992670000000568221 100 $a20140927h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aClockwork rhetoric $ethe language and style of steampunk /$fedited by Barry Brummett ; designed by Peter D. Halverson 210 1$aJackson, Mississippi :$cUniversity Press of Mississippi,$d2014. 210 4$dİ2014 215 $a1 online resource (244 p.) 300 $aIncludes index. 311 $a1-62846-091-1 311 $a1-322-14302-1 320 $aIncludes bibliographical references and index. 330 8 $aThis anthology asks: What social and political impact is created by the Steampunk dimension of film, television, fashion, and decoration? How does Steampunk both reflect and shape social attitudes and predispositions? To what extent does Steampunk provide the grounding for subcultures? How is Steampunk used in political appeals? Its essays address the way that Steampunk culture generates its own rhetorical norms, its own communicative patterns and structures, at the same time that it generates a lexicon that becomes part of the larger rhetoric of popular and political culture. 606 $aSteampunk fiction$xHistory and criticism 606 $aNarration (Rhetoric) 606 $aStyle, Literary 606 $aSteampunk culture 608 $aElectronic books. 615 0$aSteampunk fiction$xHistory and criticism. 615 0$aNarration (Rhetoric) 615 0$aStyle, Literary. 615 0$aSteampunk culture. 676 $a700/.411 702 $aBrummett$b Barry$f1951- 702 $aHalverson$b Peter D. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464042203321 996 $aClockwork rhetoric$92200417 997 $aUNINA LEADER 04438nam 2200901 450 001 9910825404503321 005 20230126205428.0 010 $a0-520-95724-5 024 7 $a10.1525/9780520957244 035 $a(CKB)2550000001345968 035 $a(EBL)1710999 035 $a(OCoLC)889552219 035 $a(SSID)ssj0001377951 035 $a(PQKBManifestationID)11916302 035 $a(PQKBTitleCode)TC0001377951 035 $a(PQKBWorkID)11329325 035 $a(PQKB)10500593 035 $a(MiAaPQ)EBC1710999 035 $a(DE-B1597)519064 035 $a(DE-B1597)9780520957244 035 $a(Au-PeEL)EBL1710999 035 $a(CaPaEBR)ebr10915554 035 $a(CaONFJC)MIL638859 035 $a(EXLCZ)992550000001345968 100 $a20140902h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWomen without class $egirls, race and identity /$fJulie Bettie 210 1$aOakland, California :$cUniversity of California Press,$d2014. 210 4$dİ2014 215 $a1 online resource (295 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-28001-6 311 0 $a1-322-07608-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction to the 2014 Edition --$tChapter 1. Portraying Waretown High --$tChapter 2. Women without Class --$tChapter 3. How Working-Class Chicas Get Working-Class Lives --$tChapter 4. Hard-Living Habitus, Settled-Living Resentment --$tChapter 5. Border Work between Classes --$tChapter 6. Sameness, Difference, and Alliance --$tChapter 7. Conclusion --$tNotes --$tReferences --$tIndex 330 $aIn this ethnographic examination of Mexican-American and white girls coming of age in California's Central Valley, Julie Bettie turns class theory on its head, asking what cultural gestures are involved in the performance of class, and how class subjectivity is constructed in relationship to color, ethnicity, gender, and sexuality. A new introduction contextualizes the book for the contemporary moment and situates it within current directions in cultural theory. Investigating the cultural politics of how inequalities are both reproduced and challenged, Bettie examines the discursive formations that provide a context for the complex identity performances of contemporary girls. The book's title refers at once to young working-class women who have little cultural capital to enable class mobility; to the fact that analyses of class too often remain insufficiently transformed by feminist, ethnic, and queer studies; and to the failure of some feminist theory itself to theorize women as class subjects. Women without Class makes a case for analytical and political attention to class, but not at the expense of attention to other social formations.   606 $aChildren, White$zCalifornia$zSan Francisco Bay Area$xSocial conditions$y20th century 606 $aTeenage girls, White$xRace identity$zCalifornia 606 $aTeenage girls, White$zCalifornia$xSocial conditions 606 $aMexican American teenage girls$xRace identity$zCalifornia 606 $aMexican American teenage girls$zCalifornia$xSocial conditions 610 $aanthropologist. 610 $acalifornia women. 610 $acentral valley. 610 $aclass performance. 610 $aclass theory. 610 $acolor. 610 $acoming of age. 610 $acontemporary movement. 610 $acultural reference. 610 $acultural theory. 610 $aethnicity. 610 $agender. 610 $ahistorical context. 610 $aincome disparity. 610 $amexican-american women. 610 $asexuality. 610 $asociologists. 610 $atheorists. 610 $awhite girls. 615 0$aChildren, White$xSocial conditions 615 0$aTeenage girls, White$xRace identity 615 0$aTeenage girls, White$xSocial conditions. 615 0$aMexican American teenage girls$xRace identity 615 0$aMexican American teenage girls$xSocial conditions. 676 $a305.235097945 700 $aBettie$b Julie$01616816 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825404503321 996 $aWomen without class$93947732 997 $aUNINA