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100   $a20190619d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe biographer and the subject $ea study on biographical distance /$fRana Tekcan
210  1$aStuttgart :$cIbidem Verlag,$d2012.
215   $a1 online resource (178 p.)
225 1 $aStudies in English literatures
300   $aDescription based upon print version of record.
311   $a3-89821-995-X 
320   $aIncludes bibliographical references and index.
327   $a""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""1 Eating and Drinking with the Subject: Johnsona???s Life of Savage and Boswella???s Life of Johnson""; ""2 Judas and The Frog Prince: Stracheya???s Eminent Victorians and Holroyda???s Lytton Strachey""; ""3 Too Far For Comfort: Honana???s Jane Austen, Her Life and Motiona???s Keats""; ""Conclusion""; ""Bibliography""; ""Index""
330   $aA good biography is a well-staged illusion. It creates -- on paper -- a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography's backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is lar
410  0$aStudies in English literatures.
606   $aBiography as a literary form
608   $aElectronic books.
615  0$aBiography as a literary form.
676   $a808.06692 
700   $aTekcan$b Rana$0953588
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910463977603321
996   $aThe biographer and the subject$92156146
997   $aUNINA