LEADER 04413nam 2200673 450 001 9910463839103321 005 20211207031957.0 010 $a3-11-029204-1 024 7 $a10.1515/9783110292046 035 $a(CKB)2670000000494749 035 $a(EBL)1130408 035 $a(OCoLC)862938399 035 $a(SSID)ssj0001041642 035 $a(PQKBManifestationID)11577324 035 $a(PQKBTitleCode)TC0001041642 035 $a(PQKBWorkID)11010182 035 $a(PQKB)10343956 035 $a(MiAaPQ)EBC1130408 035 $a(DE-B1597)177654 035 $a(OCoLC)862745797 035 $a(OCoLC)881296222 035 $a(DE-B1597)9783110292046 035 $a(Au-PeEL)EBL1130408 035 $a(CaPaEBR)ebr10811322 035 $a(CaONFJC)MIL805881 035 $a(EXLCZ)992670000000494749 100 $a20130905h20132013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aTouching and being touched $ekinesthesia and empathy in dance and movement /$fedited by Gabriele Brandstetter, Gerko Egert, Sabine Zubarik 210 1$aBerlin ;$aBoston :$cDe Gruyter Mouton,$d[2013] 210 4$dİ2013 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 0 $a3-11-029186-X 320 $aIncludes bibliographical references. 327 $tFront matter --$tTable of Contents --$tIntroduction --$tTouching and Being Touched --$tI. Touch --$tRühren, Berühren, Aufruhr /$rNancy, Jean-Luc --$tFigure, Plasticity, Affect /$rLargier, Niklaus --$tJust Like That /$rManning, Erin / Massumi, Brian --$tMovements of Touch in MAYBE FOREVER /$rEgert, Gerko --$tCold Burn (Teion Yakedo) /$rMezur, Katherine --$tThe Fault Lines of Touching /$rKruschkova, Krassimira --$tII. Kinesthesia --$tOn 'Inner Touch' and the Moving Body /$rPaterson, Mark --$tChoreographies With and Without a Choreographer /$rLandweer, Hilge --$t"Listening" /$rBrandstetter, Gabriele --$tDo You Feel the Same Way Too? /$rJola, Corinne --$tEmpathy, Contagion and Affect /$rReynolds, Dee --$tIII. Empathy --$tAffective Modulations in Politics, Theory and Art /$rAngerer, Marie-Luise --$tIs the Movement of the Filmic Image a Sign of Vitality? /$rCurtis, Robin --$tFeeling In and Out /$rAlbright, Ann Cooper --$t"Touch Me If You Can" /$rZubarik, Sabine --$tLost and Found in Interpretation /$rChatzimasoura, Kornilia --$tDancing Tango /$rAbadi, Sonia --$tNotes on Contributors 330 $aTouch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the 'aisthesis' of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touched assembles seventeen interdisciplinary papers focusing on the question of how forms and practices of touch are connected with the evocation of feelings. Are these feelings evoked in different ways in tango, Contact improvisation, European and Japanese contemporary dance? The contributors to this volume (dance, literature, and film scholars as well as philosophers and neuroscientists) provide in-depth discussions of the modes of transfer between touch and being touched. Drawing on the assumptions of various theories of body, emotion, and senses, how can we interpret the processes of tactile touch and of being touched emotionally? Is there a specific spectrum of emotions activated during these processes (within both the spectator and the dancer)? How can the relationship of movement, touch, and emotion be analyzed in relation to kinesthesia and empathy? 606 $aDance$xPhysiological aspects 606 $aMuscular sense 606 $aTouch$xPhysiological aspects 608 $aElectronic books. 615 0$aDance$xPhysiological aspects. 615 0$aMuscular sense. 615 0$aTouch$xPhysiological aspects. 676 $a152.1/82 701 $aEgert$b Gerko$01054992 701 $aZubarik$b Sabine$01054993 702 $aBrandstetter$b Gabriele 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463839103321 996 $aTouching and being touched$92488044 997 $aUNINA