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005 20200520144314.0
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100   $a20190118d2014      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aUkiyo-E /$fDora Amsden and Woldermar von Seidlitz
210  1$aNew York :$cParkstone International,$d[2014]
215   $a1 online resource (518 p.)
300   $aIncludes index.
311   $a1-84484-607-5 
327   $aChronology; Theatre; Women; Gods; Humour; Polarity of Man and Woman; Index
330   $aUkiyo-e ('pictures of the floating world') is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the move
606   $aColor prints, Japanese
608   $aElectronic books.
615  0$aColor prints, Japanese.
676   $a769.952
700   $aAmsden$b Dora$0906083
702   $avon Seidlitz$b Woldermar
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910463836603321
996   $aUkiyo-E$92026587
997   $aUNINA