LEADER 05509nam 2200625 450 001 9910463827003321 005 20211207032601.0 010 $a3-11-031753-2 024 7 $a10.1515/9783110317534 035 $a(CKB)2670000000494842 035 $a(EBL)1249817 035 $a(OCoLC)862940110 035 $a(SSID)ssj0001114085 035 $a(PQKBManifestationID)11615212 035 $a(PQKBTitleCode)TC0001114085 035 $a(PQKBWorkID)11049708 035 $a(PQKB)11613687 035 $a(MiAaPQ)EBC1249817 035 $a(DE-B1597)210205 035 $a(OCoLC)881296425 035 $a(DE-B1597)9783110317534 035 $a(Au-PeEL)EBL1249817 035 $a(CaPaEBR)ebr10811252 035 $a(CaONFJC)MIL806488 035 $a(EXLCZ)992670000000494842 100 $a20111102h20132013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 04$aThe aesthetics of matter $emodernism, the avant-garde and material exchange /$fedited by Sarah Posman [and four others] 210 1$aBerlin ;$aBoston :$cWalter de Gruyter GmbH,$d[2013] 210 4$d©2013 215 $a1 online resource (448 p.) 225 1 $aEuropean avant-garde and modernism studies ;$v3 300 $aIncludes index. 311 0 $a3-11-031737-0 327 $tFront matter --$tContents --$tAbout the Series - Sur la collection - Zur Buchreihe --$tIntroduction --$tMatter on the Move --$tModernism Diffracted /$rSkrubbe, Jessica Sjöholm --$tAndré Breton's Autobiographical Cut-Ups /$rNachtergael, Magali --$tVisual Music, a Missing Link? /$rRasula, Jed --$tFrom Abstract Film to Op Art and Kinetic Art? /$rG?uchowska, Lidia --$t"hap-hap-hap-hap-happy clothes" Avant-Garde Experiments in/with Material(s) /$rWest, Emma --$tThe Poetic Materiality of Fascism on the British Stage /$rWarden, Claire --$tDematerializing Verbal and Visual Matter /$rFeshchenko, Vladimir --$tMaterial Memory --$tBeyond Matter or Form /$rSakoparnig, Andrea --$tUpon Hearing James Joyce /$rLoukopoulou, Eleni --$tSmall Press Modernists /$rOtty, Lisa --$tPlaster as a Matter of Memory /$rSchindler, Tabea --$tDeconstructive Readings of the Avant-Garde Tradition in Post-Socialist Retro-Avant-Garde Theatre /$rTopori?i?, Toma? --$tThe Materiality of a Contemporary Avant-Garde? /$rPaldam, Camilla Skovbjerg --$tSpaces and Places --$tReproducing the Avant-Garde /$rCole, Lori --$tBedeutungsveränderung und Kanonisierung des deutschen Expressionismus in den USA /$rLangfeld, Gregor --$tExpressionism, Fiction and Intermediality in Nordic Modernism /$rHermansson, Gunilla --$tMateriality and Dematerialization in Paul Neagu's Work /$rPintilie, Ileana --$tLa maison d'artiste en portrait, manifeste et sanctuaire /$rDessy, Clément --$tLiquid Modernity and the Concrete City /$rKilian, Eveline --$tBodies and Sensoria --$tTo "Feel Breathing" /$rDrobnick, Jim --$tSynthesis Instead of Analysis /$rHeibach, Christiane --$tLygia Clark, the Paris Years /$rBest, Susan --$tLes matérialités à l'oeuvre dans la « poésie élémentaire » de Julien Blaine /$rThéval, Gaëlle --$tCorps, que me veux-tu? /$rAntoniadis, Pavlos --$tSubjectivities --$tM/Paternal Meanings in the Neo-Avant-Garde /$rJakubowska, Agata --$tRaoul Hausmann et le montage de matériau textuel : Hylé I /$rThiérard, Hélène --$tGeorges Hugnet's Surrealist Monsters and Women /$rEram, Cosana --$tFrom Material Meaningless to Poetics of Potentiality /$rSjöberg, Sami --$tA "Dance of Gestures" /$rMildenberg, Ariane --$tConceptual Frames of Life /$rØrum, Tania --$tPassage du sujet dans la « matière mentale » surréaliste /$rLeydenbach, Claire --$tList of Contributors --$tIndex 330 $aIt has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries. The book's contributions, written by experts from some 20 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist "aesthetics of matter"? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were "immaterial" things such as concepts of time changed in this aesthetic moment? What "material meanings" were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the "aesthetics of matter" in their response to historical predecessors? 410 0$aEuropean avant-garde and modernism studies ;$vv. 3. 606 $aAvant-garde (Aesthetics) 606 $aModernism (Aesthetics) 608 $aElectronic books. 615 0$aAvant-garde (Aesthetics) 615 0$aModernism (Aesthetics) 676 $a709.04 701 $aPosman$b Sarah$01053036 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463827003321 996 $aThe aesthetics of matter$92484674 997 $aUNINA