LEADER 04007nam 22006493u 450 001 9910463791803321 005 20210108095142.0 010 $a1-78320-042-1 035 $a(CKB)2670000000402222 035 $a(EBL)1334338 035 $a(OCoLC)855504251 035 $a(SSID)ssj0001221129 035 $a(PQKBManifestationID)11683062 035 $a(PQKBTitleCode)TC0001221129 035 $a(PQKBWorkID)11185753 035 $a(PQKB)10577863 035 $a(MiAaPQ)EBC1334338 035 $a(EXLCZ)992670000000402222 100 $a20160125d2013|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWatching Films$b[electronic resource] $eNew Perspectives on Movie-Going, Exhibition and Reception 210 $aBristol $cIntellect Books Ltd$d2013 215 $a1 online resource (442 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-511-0 327 $aCover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research 327 $aChapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex 327 $aFrom Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 327 $aChapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover 330 $aWatching Films: New Perspectives on Movie-Going, Exhibition and Reception provides new and compelling insights into the social, cultural and economic factors that influence the circulation, prensentations and consumption of film. This book provides a fresh approach to understanding the rapidly changing nature of modern cinema. 606 $aFilm criticism 606 $aMotion pictures -- Appreciation 606 $aMotion picture audiences$xHistory 606 $aMotion picture industry 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aFilm$2HILCC 608 $aElectronic books. 615 4$aFilm criticism. 615 4$aMotion pictures -- Appreciation. 615 0$aMotion picture audiences$xHistory 615 0$aMotion picture industry 615 7$aMusic, Dance, Drama & Film 615 7$aFilm 676 $a791.43015 700 $aAveyard$b Karina$0870751 701 $aMoran$b Albert$0962967 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910463791803321 996 $aWatching Films$92277583 997 $aUNINA