LEADER 03769nam 2200565 450 001 9910463765503321 005 20200520144314.0 010 $a3-95489-666-4 035 $a(CKB)2670000000534324 035 $a(EBL)1640316 035 $a(SSID)ssj0001216593 035 $a(PQKBManifestationID)11976778 035 $a(PQKBTitleCode)TC0001216593 035 $a(PQKBWorkID)11197550 035 $a(PQKB)10875617 035 $a(MiAaPQ)EBC1640316 035 $a(Au-PeEL)EBL1640316 035 $a(CaPaEBR)ebr10856428 035 $a(OCoLC)871779775 035 $a(EXLCZ)992670000000534324 100 $a20140414h20142014 uy d 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMccarthy and the coens $ethe novel versus the film no country for old men : the moral framework of the novel and the film /$fInese Vicaka 210 1$aHamburg, Germany :$cAnchor Academic Publishing,$d2014. 210 4$dİ2014 215 $a1 online resource (98 p.) 300 $aDescription based upon print version of record. 311 $a3-95489-166-2 327 $aMcCarthy and the Coens: The Novel versus the Film No Country for Old Men; Table of Contents; INTRODUCTION; 1. LITERATURE REVIEW; 1.1 Cormac McCarthy and the Coen brothers; 1.2 Screen adaptation; 1.3 Narratalogy:overview; 1.4 Relationship of film and literary narrative; 1.5 Time-space narrative; 1.6 The western genre in text and film; 2. FILM ADAPTATION - RE-IMAGINING A LITERARY NARRATIVE; 2.1 Intertextuality; 2.2 Fidelity of film adaptation; 3. LITERARY AND FILM NARRATIVE AS A MACROSTRUCTURE; 3.1 Narration and a narrator; 4. NARRATIVE PERSPECTIVE; 4.1 Focalization in literary narrative 327 $a4.2 Focalization in film narrative5. TIME-SPACE NARRATIVE IN LITERATURE AND CINEMA; 5.1 Visual regime and narrative rhythm; 5.2 On the frontiers of mise-en-sce?ne; 6. HISTORY AND CONVENTIONS OF THE WESTERN GENRE; 6.1 Iconographic elements of the western; 6.2 Gender roles in the western genre; 7. ADAPTATION OF THE FILM NO COUNTRY FOR OLD MEN; 7.1 Transfer of the intertexts; 7.2 Fidelity to the source text; 8. NARRATIVE CONSTRUCTION IN NO COUNTRY FOR OLD MEN -THE NOVEL AND THE FILM; 8.1 The narration and the narrators; 8.2 The narrative perspective and the characters 327 $a9. FOCALIZATION IN NO COUNTRY FOR OLD MEN9.1 Focalization in the novel; 9.2 Focalization in the film; 10. NARRATIVE TIME AND SPACE IN NO COUNTRY FOR OLD MEN; 10.1 Mise-en-sce?ne at work; 10.2. Visual regime in the film; 11. GENRE AND GENDER IN NO COUNTRY FOR OLD MEN; 11.1 The iconographic elements of the genre; 11.2 Gender roles in the genre; CONCLUSIONS; THESES; SOURCES; APPENDIX 330 $aThis book offers an original perspective on the narrative in the film and the novel No Country for Old Men, it also gives a good account on the issue of fidelity that plays an important role in the analysis of the relationship between the film adaptation and its source text, observing whether the Coens have not eradicated the novel's complex and allegorical essence. The narrative analysis in the book as well involves an observation of the narrator's point-of-view and its reliability. Besides, the book undeniably proves that the relation of narrative time and narrative space is vital in the com 606 $aMotion pictures$zGermany 606 $aCriminal behavior$zGermany$vDrama 608 $aElectronic books. 615 0$aMotion pictures 615 0$aCriminal behavior 676 $a791.430943 700 $aVicaka$b Inese$01033265 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463765503321 996 $aMccarthy and the coens$92451693 997 $aUNINA