LEADER 04107nam 2200637 450 001 9910463751803321 005 20200520144314.0 035 $a(CKB)2670000000616211 035 $a(EBL)2051181 035 $a(OCoLC)908838969 035 $a(SSID)ssj0001573979 035 $a(PQKBManifestationID)16227855 035 $a(PQKBTitleCode)TC0001573979 035 $a(PQKBWorkID)14841388 035 $a(PQKB)11128930 035 $a(MiAaPQ)EBC2051181 035 $a(Au-PeEL)EBL2051181 035 $a(CaPaEBR)ebr11056765 035 $a(CaONFJC)MIL783934 035 $a(EXLCZ)992670000000616211 100 $a20150604h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aUnnatural and unconventional liaisons in English renaissance drama $ethe Duchess of Malfi, women beware women and 'tis a pity she's a whore /$fFriederike Schmiga 210 1$aNordhausen, [Germany] :$cVerlag Traugott Bautz GmbH,$d2015. 210 4$dİ2015 215 $a1 online resource (200 p.) 225 1 $aPoetry, Music and Art ;$vBand 7 300 $aDescription based upon print version of record. 311 $a3-86945-790-2 311 $a3-88309-980-5 320 $aIncludes bibliographical references. 327 $aCover; Titelei; Impressum; Inhaltsverzeichnis; Preface by Monika Fludernik ; Acknowledgement; 1 Introduction; 2 Unnatural and Unconventional Liaisons; 2.1 Nature and Convention; 2.2 Deviation and Transgression; 2.3 Wives and Whores; 3 The Duchess of Malfi; 3.1 The Duchess and Antonio; 3.1.1 The Duchess - A "Lusty Widow"?; 3.1.2 Merit versus Birth; 3.1.3 Antonio the "Misruler"?; 4 Women Beware Women; 4.1 The Ward and Isabella; 4.1.1 Marriage Enforced; 4.1.2 Disparity between the Spouses; 4.1.3 Firmly in Hippolito's Hands; 4.1.4 Isabella's Motivation; 4.1.5 The Bride on Display 327 $a4.2 Isabella and Hippolito 4.2.1 Incest; 4.2.2 Betrayed by Livia; 4.2.3 Adultery; 4.3 Leantio and Bianca; 4.3.1 Leantio's Conception of the Marriage as Theft; 4.3.2 Social Mobility; 4.3.3 Bianca's Consent?; 4.3.4 Too Much Restraint; 4.3.5 Leantio's Extremeness; 4.4 Bianca and the Duke; 4.4.1 Caught in Livia's Trap; 4.4.2 Violent Beginning; 4.4.3 Bianca the "Strumpet"?; 4.4.4 Moving into Marriage; 4.5 Leantio and Livia; 4.5.1 Livia's Downfall; 4.5.2 Courtship or Purchase?; 4.5.3 Livia - A "Lusty Widow"?; 5 'Tis Pity She's a Whore; 5.1 Giovanni and Annabella; 5.1.1 Incest; 5.1.2 Secret Marriage? 327 $a5.1.3 The Vow of Loyalty 5.1.4 Giovanni's "Idolatry"; 5.2 Annabella and Soranzo; 5.2.1 Betrayal of Hippolita; 5.2.2 Marriage Enforced?; 5.2.3 Annabella's Reversal; 5.2.4 Soranzo's Character; 6 Conclusion; 7 References; 7.1 Editions of the Plays; 7.2 Bibliography 330 $aFriederike Schmiga studied English literature, linguistics and philosophy at the Albert-Ludwigs-Universita?t Freiburg and the University of Edinburgh. Her academic interests include the history of medieval philosophy and English Renaissance literature. She is currently doing research at the Universita? degli Studi di Bari and the KU Leuven with a doctoral project on the notion of intellectual curiosity in Augustine and its transformation in the thirteenth century. Inhaltsverzeichnis Preface by Monika Fludernik Acknowledgement 1 Introduction 2 Unnatural and Unconventional Liaisons 2.1 Nature 410 0$aPoetry, music and art ;$vBand 7. 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aRenaissance$zEngland 608 $aElectronic books. 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aRenaissance 676 $a822.309 700 $aSchmiga$b Friederike$0872468 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463751803321 996 $aUnnatural and unconventional liaisons in English renaissance drama$91947752 997 $aUNINA