LEADER 02442nam 22005651 450 001 9910463745403321 005 20200520144314.0 010 $a0-292-74775-6 035 $a(CKB)3170000000060206 035 $a(EBL)3443694 035 $a(SSID)ssj0001000706 035 $a(PQKBManifestationID)11537167 035 $a(PQKBTitleCode)TC0001000706 035 $a(PQKBWorkID)10960731 035 $a(PQKB)10063609 035 $a(MiAaPQ)EBC3443694 035 $a(OCoLC)859154950 035 $a(MdBmJHUP)muse25063 035 $a(Au-PeEL)EBL3443694 035 $a(CaPaEBR)ebr10768927 035 $a(OCoLC)899045091 035 $a(EXLCZ)993170000000060206 100 $a20130227d2013 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheorizing art cinemas $eforeign, cult, avant-garde, and beyond /$fby David Andrews 205 $aFirst edition. 210 1$aAustin :$cUniversity of Texas Press,$d2013. 215 $a1 online resource (310 p.) 300 $aDescription based upon print version of record. 311 $a0-292-74774-8 320 $aIncludes bibliographical references and index. 327 $aIntroduction: correcting art cinema's partial vision -- pt. 1. art, auteurism, and the world -- art as genre as canon: defining "art cinema" -- no start, no end: auteurism and the auteur theory -- from "foreign films" to "world cinema" -- pt. 2. formats and fetishes -- recovery and legitimation in the traditional art film -- losing the asterisk: a theory of cult-art cinema -- revisiting "the two avant-gardes" -- sucking the mainstream: a theory of mainstream art cinema -- pt. 3. institutions and distributions -- re-integrating stardom ( . . . or technology or reception or . . . ) -- art cinema as institution, redux: art houses, film festivals, and film studies -- art cinema, the distribution theory -- epilogue. beyond, before cinephilia. 606 $aAvant-garde (Aesthetics) 606 $aExperimental films$xHistory and criticism 608 $aElectronic books. 615 0$aAvant-garde (Aesthetics) 615 0$aExperimental films$xHistory and criticism. 676 $a791.43/611 700 $aAndrews$b David$f1970-$0861596 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463745403321 996 $aTheorizing art cinemas$91922704 997 $aUNINA