LEADER 04685nam 2200697 a 450 001 9910463605903321 005 20210428211705.0 010 $a0-8232-3415-0 010 $a0-8232-4434-2 010 $a1-283-57945-6 010 $a9786613891907 010 $a0-8232-4925-5 024 7 $a10.1515/9780823244348 035 $a(CKB)3240000000064878 035 $a(EBL)3239576 035 $a(OCoLC)923763426 035 $a(SSID)ssj0000541747 035 $a(PQKBManifestationID)11330248 035 $a(PQKBTitleCode)TC0000541747 035 $a(PQKBWorkID)10509697 035 $a(PQKB)11078495 035 $a(MiAaPQ)EBC3239576 035 $a(OCoLC)732959331 035 $a(MdBmJHUP)muse15153 035 $a(OCoLC)1017609229 035 $a(MdBmJHUP)muse58804 035 $a(DE-B1597)554976 035 $a(DE-B1597)9780823244348 035 $a(MiAaPQ)EBC976994 035 $a(Au-PeEL)EBL3239576 035 $a(CaPaEBR)ebr10471901 035 $a(Au-PeEL)EBL976994 035 $a(EXLCZ)993240000000064878 100 $a20110606d2011 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aTaking AIM!$b[electronic resource] $ethe business of being an artist today /$fedited by Marysol Nieves 205 $a1st ed. 210 $aNew York $cFordham University Press$d2011 215 $a1 online resource (311 p.) 300 $aDescription based upon print version of record. 311 0 $a0-8232-3414-2 311 0 $a0-8232-3413-4 320 $aIncludes bibliographical references. 327 $tFront matter --$tCONTENTS --$tAIM Foreword --$tAcknowledgments --$tTaking AIM: An Introduction --$tTalking AIM: A Conversation with Holly Block and Jackie Battenfield --$tThree Decades, Three Artists: Rina Banerjee, Kate Gilmore, and Whitfield Lovell --$tSmall Worlds: An Interview with Polly Apfelbaum and Amy Cutler --$tArt without Market --$tClimate Change: East Coast to West Coast Curators Articulate the Evolving Curatorial Role --$tArt Criticism at Present: Five Voices --$tAIM in Review: The Critics? Perspective --$tGallerists and the Marketplace --$tThe Scoop on Miami --$tCultivating Young Collectors through The Contemporaries --$tThe Leibowitz Questionnaire --$tThe Journey from the Studio to the Collection: Six Interviews with Art Advisors, Corporate Curators, and Others --$tThe Art Fair Effect --$tFunding Artists: An Inside Perspective --$tBetween the Lines: Residencies, Commissions, and Public Art --$tArt World 2.0 --$tSelected Chronology of World and Art Events, 1979?2010 --$tSelected Bibliography and Resources --$tArtist in the Marketplace Alumni List --$tList of Contributors 330 $aTaking Aim! The Business of Being an Artist Today is a practical, affordable resource guide filled with invaluable advice for the emerging artist. The book is specially designed to aid visual artists in furthering their careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world. It demystifies often daunting and opaque practices through first-hand testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, arts administrators, art fair directors, auction house experts, and other art world luminaries. Published in celebration of the 30th anniversary of Artist in the Marketplace (AIM)?the pioneering career development program at the Bronx Museum of the Arts?Taking AIM! The Business of Being an Artist Today mirrors the structure and topics featured in the AIM program?s weekly workshops and discussions. Each chapter focuses on the specific perspective of an ?art world insider??from the artist to the public art program director to the blogger. Multiple viewpoints from a range of art professionals provide emerging artists with candid, uncensored information and tools to help them better understand this complex field and develop strategies for building and sustaining successful careers as professional artists. The book ends with an annotated chronology of the past three decades in the contemporary art field and a bibliography of publications, magazine articles, online sources, funding sources, residency programs, and other useful information for emerging artists. 606 $aArt$xEconomic aspects 608 $aElectronic books. 615 0$aArt$xEconomic aspects. 676 $a706 701 $aNieves$b Marysol$01053156 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463605903321 996 $aTaking AIM$92484909 997 $aUNINA LEADER 03833oam 22005774a 450 001 9910393959503321 005 20210915045839.0 010 $a1-4962-2215-6 035 $a(CKB)4100000011247527 035 $a(OCoLC)1155484788 035 $a(MdBmJHUP)muse85534 035 $a(EXLCZ)994100000011247527 100 $a20200522d2020 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEmpire and Catastrophe$eDecolonization and Environmental Disaster in North Africa and Mediterranean France since 1954 /$fSpencer D. Segalla 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$dİ2020 215 $a1 online resource (1 EPUB unpaged) : $cmaps 225 0 $aFrance overseas: studies in empire and decolonization 300 $a"This book published as part of the Sustainable History Monograph Pilot." 311 $a1-4962-2213-X 311 $a1-4962-1963-5 320 $aIncludes bibliographical references (pages 263-280). 330 $aEmpire and Catastrophe examines natural and anthropogenic disasters during the years of decolonization in Algeria, Morocco, and France, and explores the ways in which environmental catastrophes both shaped and were shaped by struggles over the dissolution of France's empire in North Africa. Four disasters make up the core of the book: the 1954 earthquake in Algeria's Chelif Valley, just weeks before the onset of the Algerian Revolution; a mass poisoning in Morocco in 1959 caused by toxic substances from an American military base; the 1959 Malpasset dam collapse in Frejus, France, which devastated the Algerian immigrant community in the town but which was blamed on Algerian sabotage; and the 1960 earthquake in Agadir, Morocco, which set off a public relations war between the United States, France, and the Soviet Union, and which ignited a Moroccan national debate over modernity, identity, architecture, and urban planning. Empire and Catastrophe is the first book-length study of environmental disasters during the decolonization of the French empire. Interrogating distinctions between agent and environment and between political and environmental violence, through the lenses of state archives and through the remembered experiences and literary representations of disaster survivors, this book argues for the integration of environmental events into narratives of political and cultural decolonization. Empire and Catastrophe will be sought after by environmental historians and North Africa area studies specialists as well as historians of France and French imperialism. Written in engaging prose, the book will appeal to the broader public's interest in natural disasters, and will become required reading for undergraduates in courses on natural disasters in world history. 410 0$aFrance overseas. 606 $aEnvironmental disasters$xPoltiical aspects$zFrance 606 $aEnvironmental disasters$xPoltiical aspects$zMorocco 606 $aEnvironmental disasters$xPoltiical aspects$zAlgeria 606 $aImperialism$xEnvironmental aspects 606 $aDecolonization$zMorocco 606 $aDecolonization$zAlgeria 607 $aFrance$xColonies$xHistory 608 $aElectronic books. 615 0$aEnvironmental disasters$xPoltiical aspects 615 0$aEnvironmental disasters$xPoltiical aspects 615 0$aEnvironmental disasters$xPoltiical aspects 615 0$aImperialism$xEnvironmental aspects. 615 0$aDecolonization 615 0$aDecolonization 676 $a325.344 700 $aSegalla$b Spencer D.$0862403 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910393959503321 996 $aEmpire and Catastrophe$91925098 997 $aUNINA