LEADER 02471nam 2200613 a 450 001 9910463598003321 005 20200520144314.0 010 $a1-4214-0832-5 035 $a(CKB)3170000000060707 035 $a(EBL)3318665 035 $a(SSID)ssj0000803670 035 $a(PQKBManifestationID)11518434 035 $a(PQKBTitleCode)TC0000803670 035 $a(PQKBWorkID)10810586 035 $a(PQKB)11341343 035 $a(MiAaPQ)EBC3318665 035 $a(OCoLC)835910081 035 $a(MdBmJHUP)muse25407 035 $a(Au-PeEL)EBL3318665 035 $a(CaPaEBR)ebr10643246 035 $a(OCoLC)824353597 035 $a(EXLCZ)993170000000060707 100 $a20120508d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNightmare alley$b[electronic resource] $efilm noir and the American dream /$fMark Osteen 210 $aBaltimore $cJohns Hopkins University Press$d2013 215 $a1 online resource (337 p.) 300 $aDescription based upon print version of record. 311 $a1-4214-0780-9 320 $aIncludes bibliographical references and index. 320 $aFilmography: p. [293]-296. 327 $aIntroduction: film noir and the American dream -- "Someone else's nightmare": exploring noir dreamscapes -- Missing persons: self-erasure and reinvention -- Vet noir: masculinity, memory and trauma -- Framed: forging noir identities -- Noir's cars: automobility and amoral space -- Nocturnes in black and blue: memory, morality and jazz melody -- Femmes vital: film noir and women's work -- Left-handed endeavor: crime, capitalism, and the Hollywood left -- Conclusion: American nightmares. 606 $aFilm noir$zUnited States$xHistory and criticism 606 $aMotion pictures$xSocial aspects$zUnited States$xHistory$y20th century 606 $aAmerican Dream in art 606 $aNational characteristics, American, in motion pictures 608 $aElectronic books. 615 0$aFilm noir$xHistory and criticism. 615 0$aMotion pictures$xSocial aspects$xHistory 615 0$aAmerican Dream in art. 615 0$aNational characteristics, American, in motion pictures. 676 $a791.43/6556 700 $aOsteen$b Mark$01032407 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463598003321 996 $aNightmare alley$92450251 997 $aUNINA