LEADER 03382nam  22006855  450 
001 9910463588003321
005 20211005205437.0
010   $a0-8232-6636-2
010   $a0-8232-6250-2
010   $a0-8232-6249-9
024 7 $a10.1515/9780823262496
035   $a(CKB)2670000000582260
035   $a(OCoLC)896852950
035   $a(CaPaEBR)ebrary10962383
035   $a(SSID)ssj0001370865
035   $a(PQKBManifestationID)11878632
035   $a(PQKBTitleCode)TC0001370865
035   $a(PQKBWorkID)11298793
035   $a(PQKB)11636695
035   $a(StDuBDS)EDZ0001111257
035   $a(MiAaPQ)EBC3239939
035   $a(MdBmJHUP)muse37922
035   $a(DE-B1597)555095
035   $a(DE-B1597)9780823262496
035   $a(OCoLC)923764513
035   $a(MiAaPQ)EBC1884031
035   $a(Au-PeEL)EBL1884031
035   $a(EXLCZ)992670000000582260
100   $a20200723h20142014  fg             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aTransferential Poetics, from Poe to Warhol /$fAdam Frank
205   $aFirst edition.
210  1$aNew York, NY :$cFordham University Press,$d[2014]
210  4$d©2014
215   $a1 online resource (200 p.)
225 1 $aAmerican Literatures Initiative
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8232-6246-4 
311   $a1-322-40064-4 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tIntroduction: Affect in the Scene of Writing --$t1 Thinking Confusion: On the Compositional Aspect of Affect --$t2 Expression and Theatricality, or Medium Poe --$t3 Maisie?s Spasms: Transferential Poetics in Henry James and Wilfred Bion --$t4 Loose Coordinations: Theater and Thinking in Gertrude Stein --$t5 Vis-à-vis Television: Andy Warhol?s Therapeutics --$tOut and Across --$tNotes --$tBibliography --$tIndex --$tAcknowledgments
330   $aTransferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience? their transferential poetics. The book?s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction.
410  0$aAmerican Literatures Initiative
606   $aPoetics$xHistory
606   $aSemiotics
608   $aElectronic books.
615  0$aPoetics$xHistory.
615  0$aSemiotics.
676   $a808.1
700   $aFrank$b Adam$4aut$4http://id.loc.gov/vocabulary/relators/aut$01031987
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a9910463588003321
996   $aTransferential Poetics, from Poe to Warhol$92449601
997   $aUNINA