LEADER 02480nam 2200649 450 001 9910463582903321 005 20200520144314.0 010 $a1-61168-679-2 035 $a(CKB)2670000000578205 035 $a(EBL)1882409 035 $a(SSID)ssj0001381813 035 $a(PQKBManifestationID)11764069 035 $a(PQKBTitleCode)TC0001381813 035 $a(PQKBWorkID)11437988 035 $a(PQKB)10110496 035 $a(MiAaPQ)EBC1882409 035 $a(OCoLC)898102528 035 $a(MdBmJHUP)muse37538 035 $a(Au-PeEL)EBL1882409 035 $a(CaPaEBR)ebr10991549 035 $a(CaONFJC)MIL664933 035 $a(EXLCZ)992670000000578205 100 $a20140506h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRabbi Shneur Zalman of Liady $ethe origins of Chabad Hasidism /$fImmanuel Etkes ; translated by Jeffrey M. Green 210 1$aWaltham :$cBrandeis,$d[2015] 210 4$dİ2015 215 $a1 online resource (357 p.) 225 1 $aTauber Institute series for the Study of European Jewry 300 $aDescription based upon print version of record. 311 $a1-322-33651-2 311 $a1-61168-677-6 327 $aRabbi Shneur Zalman of Liady's rise to leadership -- A leader of Hasidim -- Between center and periphery -- Sefer Shel Beinonim: the Book of Average Men -- On the front line against the mitnagdim: excommunications and prohibitions -- At the front versus the mitnagdim: the first imprisonment -- At the front against the mitnagdim: the second arrest -- Zaddikim as human beings: the conflict with Rabbi Abraham of Kalisk -- Between Napoleon and Alexander. 330 $a"The history of Hasidism and East European Jewry through the biography of Rabbi Shneur Zalman of Liady"--$cProvided by publisher. 410 0$aTauber Institute for the Study of European Jewry series (Unnumbered) 606 $aRabbis$zBelarus$vBiography 606 $aHasidim$zBelarus$vBiography 606 $aHabad$xHistory 608 $aElectronic books. 615 0$aRabbis 615 0$aHasidim 615 0$aHabad$xHistory. 676 $a296.8/332092 676 $aB 700 $aEtkes$b I.$0936103 702 $aGreen$b Yaacov Jeffrey 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463582903321 996 $aRabbi Shneur Zalman of Liady$92108797 997 $aUNINA LEADER 03412nam 22004093u 450 001 9910453319803321 005 20210127210509.0 010 $a0-19-999717-9 035 $a(CKB)2550000001165214 035 $a(EBL)1573140 035 $a(MiAaPQ)EBC1573140 035 $a(EXLCZ)992550000001165214 100 $a20131216d2013|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 200 10$aGestures of Music Theatre$b[electronic resource] $eThe Performativity of Song and Dance 210 $aOxford $cOxford University Press, USA$d2013 215 $a1 online resource (337 p.) 300 $aDescription based upon print version of record. 311 $a0-19-999716-0 311 $a1-306-15237-2 327 $aCover; GESTURES OF MUSIC THEATER; Copyright; CONTENTS; PART ONE: Singing the Dance, Dancing the Song; 1. The Song's the Thing: Capturing the "Sung"to Make It "Song"; 2. The (Un)Pleasure of Song: On the Enjoyment of Listening to Opera; PART TWO: Performativity as Dramaturgy; 3. Relocating the Song: Julie Taymor's Jukebox Musical, A cross the Universe (2007); 4. Dynamic Shape: The Dramaturgy of Song and Dance in Lloyd Webber's Cats; PART THREE: Performativity as Transition; 5. Dance Breaks and Dream Ballets: Transitional Moments in Musical Theater 327 $a6. "Love, Let Me Sing You": The Liminality of Song and Dance in LaChiusa's Bernarda Alba (2006)PART FOUR: Performativity as Identity; 7. Tapping the Ivories: Jazz and Tap Dance in Jelly's Last Jam (1992).; 8. "Everything's Coming up Kurt": The Broadway Song in Glee; 9. Angry Dance: Postmodern Innovation, Masculinities, and Gender Subversion; PART FIVE: Performativity as Context; 10. Deconstructing the Singer: The Concerts of Laurie Anderson; 11. Singing and a Song: The "Intimate Diff erence" in Susan Philipsz's Lowlands (2010) 327 $a12. Acting Operatically: Body, Voice, and the Actress in Beckett's TheaterPART SIX: Performativity as Practice; 13. Vox Elettronica: Song, Dance, and Live Electronics in the Practice of Sound Theater; 14. From Ear to Foot: How Choreographers Interpret Music; 15. Singing from Stones: Physiovocality and Gardzienice's Theater of Musicality Konstantinos Thomaidis; PART SEVEN: Performativity as Community; 16. Singing the Community: The Musical Theater Chorus as Character; 17. Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975); EPILOGUE: Performativity as Writing 327 $aBibliographyIndex 330 $aGestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. The chapters draw together these diverse examples of vocality and physicality by exploring their affect rather than through considering them as texts. The book's contributors derive methodologies fro 608 $aElectronic books. 676 $a782.14 700 $aSymonds$b Dominic$0962026 701 $aTaylor$b Millie$0936246 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910453319803321 996 $aGestures of Music Theatre$92181200 997 $aUNINA