LEADER 01548nam2-2200445---450- 001 990001163830203316 005 20100301114318.0 010 $a88-8319-791-7 035 $a000116383 035 $aUSA01000116383 035 $a(ALEPH)000116383USA01 035 $a000116383 100 $a20030711d2002----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa|||z|||001yy 200 1 $aCome a concerto$eil teatro umoristico nelle scene degli anni Trenta$fAntonella Ottai 210 $aRoma$cBulzoni$d2002 215 $a356 p.$cill.$d24 cm 225 2 $aBiblioteca teatrale$v121$iMemoria di Eduardo ; 2 300 $aIn appendice: La società dello spettacolo : cronache vere e false 410 0$1001000294844$12001$aBiblioteca teatrale$v, 121$iMemoria di Eduardo 600 1$aDe Filippo $z1930-1940 606 1 $aTeatro dialettale$yNapoli$z1930-1940 676 $a792.230922 700 1$aOTTAI,$bAntonella$010729 801 0$aIT$bSalbc$cISBD 912 $a990001163830203316 951 $aXIII.1. Coll. 5/ 47(VII T 222)$b167385 L.M.$cXIII.1. Coll.$d00097224 959 $aBK 969 $aUMA 979 $aMARIA$b10$c20030711$lUSA01$h1008 979 $aALESSANDRA$b90$c20030922$lUSA01$h1021 979 $aALESSANDRA$b90$c20030922$lUSA01$h1040 979 $aPATRY$b90$c20040406$lUSA01$h1722 979 $aCOPAT6$b90$c20060210$lUSA01$h1501 979 $aANNAMARIA$b90$c20100301$lUSA01$h1142 979 $aANNAMARIA$b90$c20100301$lUSA01$h1143 996 $aCome a concerto$9748283 997 $aUNISA LEADER 02971nam 2200685Ia 450 001 9910463580303321 005 20200520144314.0 010 $a0-8232-4288-9 010 $a0-8232-4848-8 010 $a0-8232-4632-9 035 $a(CKB)3240000000065540 035 $a(EBL)3239748 035 $a(OCoLC)923764014 035 $a(SSID)ssj0000253139 035 $a(PQKBManifestationID)11217054 035 $a(PQKBTitleCode)TC0000253139 035 $a(PQKBWorkID)10186065 035 $a(PQKB)10333270 035 $a(SSID)ssj0000721842 035 $a(PQKBManifestationID)11398125 035 $a(PQKBTitleCode)TC0000721842 035 $a(PQKBWorkID)10693163 035 $a(PQKB)11580437 035 $a(StDuBDS)EDZ0000107472 035 $a(MiAaPQ)EBC3239748 035 $a(OCoLC)830023543 035 $a(MdBmJHUP)muse14141 035 $a(Au-PeEL)EBL3239748 035 $a(CaPaEBR)ebr10595535 035 $a(EXLCZ)993240000000065540 100 $a20120202d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStructures of appearing$b[electronic resource] $eallegory and the work of literature /$fBrenda Machosky 205 $a1st ed. 210 $aNew York $cFordham University Press$d2012 215 $a1 online resource (269 p.) 225 0 $aPerspectives in continental philosophy Styles of piety 300 $aDescription based upon print version of record. 311 $a0-8232-4284-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction: A phenomenological approach -- Face off: The allegorical image and aesthetics -- A phenomenological reduction: Allegory in the psychomachia -- Changing faces: Dante and Spenser -- The allegorical structure of phenomenology of spirit -- Reconsidering allegory and symbol: Benjamin and Goethe -- Allegory as metonymy: The figure without a face. 330 $aTaking a phenomenological approach to allegory, Structures of Appearing seeks to revise the history of aesthetics, identifying it as an ideology that has long subjugated art to philosophical criteria of judgment. Rather than being a mere signifying device, allegory is the structure by which something appears that cannot otherwise appear. It thus supports the appearance and necessary experience of philosophical ideas that are otherwise impossible to present or represent. Allegory is as central to philosophy as it is to literature. Following suggestions by Walter Benjamin, Machosky argues that a 606 $aAllegory 606 $aSymbolism in literature 608 $aElectronic books. 615 0$aAllegory. 615 0$aSymbolism in literature. 676 $a809/.915 700 $aMachosky$b Brenda$0952589 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463580303321 996 $aStructures of appearing$92153494 997 $aUNINA