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181   $ctxt
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200 10$aTransition cinema $epolitical filmmaking and the Argentine left since 1968 /$fJessica Stites Mor
210  1$aPittsburgh, Pennsylvania :$cUniversity of Pittsburgh Press,$d2012.
210  4$d©2012
215   $a1 online resource (279 p.) 
225 1 $aIlluminations : Cultural Formations of the Americas
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8229-6191-1 
320   $aIncludes bibliographical references, filmography and index.
327   $aIntroduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry -- Reimagining the left. The scene and the city: coded landscapes and collective memory in transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
410  0$aIlluminations (Pittsburgh, Pa.)
606   $aMotion pictures$xPolitical aspects$zArgentina
606   $aMotion picture industry$xPolitical aspects$zArgentina$xHistory$y20th century
606   $aPolitics in motion pictures
608   $aElectronic books.
615  0$aMotion pictures$xPolitical aspects
615  0$aMotion picture industry$xPolitical aspects$xHistory
615  0$aPolitics in motion pictures.
676   $a791.430982
700   $aStites Mor$b Jessica$0929251
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906   $aBOOK
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