LEADER 03257nam 2200637 a 450 001 9910463544803321 005 20200520144314.0 010 $a0-8135-6060-8 024 7 $a10.36019/9780813560601 035 $a(CKB)3170000000060395 035 $a(EBL)1295724 035 $a(SSID)ssj0000918023 035 $a(PQKBManifestationID)11485421 035 $a(PQKBTitleCode)TC0000918023 035 $a(PQKBWorkID)10894380 035 $a(PQKB)10887821 035 $a(MiAaPQ)EBC1295724 035 $a(OCoLC)853510438 035 $a(MdBmJHUP)muse25512 035 $a(DE-B1597)529617 035 $a(OCoLC)852899309 035 $a(DE-B1597)9780813560601 035 $a(Au-PeEL)EBL1295724 035 $a(CaPaEBR)ebr10733303 035 $a(CaONFJC)MIL504615 035 $a(OCoLC)853364259 035 $a(EXLCZ)993170000000060395 100 $a20120626d2013 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe eyes have it$b[electronic resource] $ecinema and the reality effect /$fMurray Pomerance 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2013 215 $a1 online resource (279 p.) 225 0 $aTechniques of the Moving Image 225 0$aTechniques of the moving image 300 $aDescription based upon print version of record. 311 $a0-8135-6059-4 320 $aIncludes bibliographical references and index. 327 $aVivid rivals -- The two of us -- Being there -- A fairy tale. 330 $aThe Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences-including The Wizard of Oz, Arizona Dream, and Signs-Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930's to the 2000's to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. 410 0$aTechniques of the Moving Image 606 $aRealism in motion pictures 608 $aElectronic books. 615 0$aRealism in motion pictures. 676 $a791.43/612 700 $aPomerance$b Murray$f1946-$0883499 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463544803321 996 $aThe eyes have it$92447184 997 $aUNINA LEADER 00952nam0-22003131--450 001 990007225090403321 005 20221014124833.0 035 $a000722509 100 $a20021021d1963----km-y0itay50------ba 101 0 $aita 105 $ay---n---001yy 200 1 $a<>conciliazione nel processo civile$fCarlo A. Nicoletti 210 $aMilano$cGiuffrè$d1963 215 $a247 p.$d25 cm 225 1 $aPubblicazioni dell'Istituto di diritto processuale civile dell'Università di Roma$v1 676 $a347$v21$zita 700 1$aNicoletti,$bCarlo Alberto$0230530 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007225090403321 952 $aDPR 32-148$b2626$fDEC 952 $aCC-106$bIST.PR.CIV.621$fDDRC 952 $aA-VII-2$b1465 lav.$fDDRC 952 $aUniversità 334 (1)$b70092$fFGBC 959 $aDEC 959 $aDDRC 959 $aFGBC 996 $aConciliazione nel processo civile$9688482 997 $aUNINA