LEADER 02316nam 2200565Ia 450 001 9910463539703321 005 20200520144314.0 010 $a0-292-73715-7 035 $a(CKB)3170000000046245 035 $a(EBL)3443592 035 $a(SSID)ssj0000580813 035 $a(PQKBManifestationID)11965957 035 $a(PQKBTitleCode)TC0000580813 035 $a(PQKBWorkID)10606957 035 $a(PQKB)11624306 035 $a(MiAaPQ)EBC3443592 035 $a(OCoLC)794672458 035 $a(MdBmJHUP)muse17565 035 $a(Au-PeEL)EBL3443592 035 $a(CaPaEBR)ebr10565385 035 $a(EXLCZ)993170000000046245 100 $a20111121d2012 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIndie, inc$b[electronic resource] $eMiramax and the transformation of Hollywood in the 1990s /$fAlisa Perren 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2012 215 $a1 online resource (321 p.) 225 1 $aTexas film and media studies series 300 $aDescription based upon print version of record. 311 $a0-292-72912-X 320 $aIncludes bibliographical references and index. 327 $aFinding a niche in the 1990's -- The rise of Miramax and the quality indie blockbuster (1979-fall 1992) -- The "secret" of Miramax's success: The crying game (winter 1992-spring 1993) -- Corsets, clerks, and criminals: Miramax in the age of Disney (summer 1993-spring 1995) -- Another dimension to the Miramax brand: kids, scream, and the teen audience (spring 1995-spring 1997) -- Majors, indies, independents: the rise of a three-tier system (winter 1996-spring 1997) -- Who says life is beautiful? (summer 1997-spring 1999) -- Maxed out: Miramax and indiewood in the new millennium. 410 0$aTexas film and media studies series. 517 3 $aMiramax and the transformation of Hollywood in the 1990s 606 $aIndependent filmmakers$zUnited States 608 $aElectronic books. 615 0$aIndependent filmmakers 676 $a791.43023092 700 $aPerren$b Alisa$0964956 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463539703321 996 $aIndie, inc$92189316 997 $aUNINA