LEADER 03525nam 2200661Ia 450 001 9910463539503321 005 20200520144314.0 010 $a1-4571-1159-4 010 $a1-4571-1684-7 010 $a1-60732-097-5 035 $a(CKB)3170000000046246 035 $a(EBL)832074 035 $a(OCoLC)769927223 035 $a(SSID)ssj0000551487 035 $a(PQKBManifestationID)11338737 035 $a(PQKBTitleCode)TC0000551487 035 $a(PQKBWorkID)10525406 035 $a(PQKB)10872221 035 $a(MiAaPQ)EBC3039757 035 $a(OCoLC)772529367 035 $a(MdBmJHUP)muse4126 035 $a(MiAaPQ)EBC832074 035 $a(Au-PeEL)EBL3039757 035 $a(CaPaEBR)ebr10516141 035 $a(CaONFJC)MIL913701 035 $a(OCoLC)923704967 035 $a(Au-PeEL)EBL832074 035 $a(EXLCZ)993170000000046246 100 $a20110901d2012 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIndigenous dance and dancing Indian$b[electronic resource] $econtested representation in the global era /$fMatthew Krystal 205 $a1st ed. 210 $aBoulder, Colo. $cUniversity of Press of Colorado$dc2012 215 $a1 online resource (341 p.) 300 $aDescription based upon print version of record. 311 $a1-60732-096-7 320 $aIncludes bibliographical references and index. 327 $aContents; Figures; Preface; Part One: Introduction; 1. Dance, Culture, and Identity; 2. Representational Dance and the Problem of Authenticity; Part Two: K'iche' Maya Traditional Dance; 3. Conquest, Colonialism, and Continuity; 4. The Dance of the Conquest and Contested National Identity; Part Three: Native American Powwow; 5. Origin, Change, and Continuity in Powwow; 6. Characteristics, Functions, and Meanings in Contemporary Powwow; 7. Powwow, Self-Representation, and Multiplicity of Identity; Part Four: Folkloric Dance; 8. Folkloric Dance, Modernity, and Appropriation 327 $a9. Appropriation, Round 2: Immigrant Folkloric Dance10. Back to the Field: Indigenous Folkloric Dance; Part Five: Chiefs, Kings, Mascots, and Martyrs; 11. Dancing Indian in Sports: Origins and Development; 12. Chief Illiniwek Enacted in Ritual and Myth; 13. Chief Illiniwek Contested; Part Six: Conclusion; 14. Dance in Comparison; 15. Confusions and Conclusions; Works Cited; Index 330 $a Focusing on the enactment of identity in dance, Indigenous Dance and Dancing Indian is a cross-cultural, cross-ethnic, and cross-national comparison of indigenous dance practices. Considering four genres of dance in which indigenous people are represented--K'iche Maya traditional dance, powwow, folkloric dance, and dancing sports mascots--the book addresses both the ideational and behavioral dimensions of identity. Each dance is examined as a unique cultural expression in individual chapters, and then all are compared in the conclusion, where striking parallels and important divergences ar 606 $aIndian dance$zNorth America 606 $aDance$xAnthropological aspects$vCross-cultural studies 608 $aElectronic books. 615 0$aIndian dance 615 0$aDance$xAnthropological aspects 676 $a781.62/97 700 $aKrystal$b Matthew$01054774 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463539503321 996 $aIndigenous dance and dancing Indian$92487674 997 $aUNINA