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181   $ctxt
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200 10$aFieldworks$b[electronic resource] $efrom place to site in postwar poetics /$fLytle Shaw
210   $aTuscaloosa $cUniversity of Alabama Press$d2013
215   $a1 online resource (396 p.)
225 0 $aModern and contemporary poetics
300   $aDescription based upon print version of record.
311   $a0-8173-5732-7 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: the penning of the field -- Boring location: from place to site in Williams and Smithson -- Olson's archives: fieldwork in new American poetry -- Everyday archaic: the space of ethnopoetics -- Baraka's Newark: performing the black arts -- Nonsite Bolinas: presence in the poets' polis -- Smithson's "Judd": androids in the expanded field -- Smithson's prose: the grounds of genre -- Faulting description: Mayer, Coolidge, and the site of scientific authority -- Docents of discourse: the logic of dispersed sites -- Afterword: measuring sites, unbinding measures.
330   $aFieldworks   offers a historical account of the social, rhetorical, and material   attempts to ground art and poetry in the physicality of a site.Arguing that place-oriented inquiries allowed poets and artists to  develop new, experimental models of historiography and ethnography,  Lytle Shaw draws out the shifting terms of this practice from World War  II to the present through a series of illuminating case studies.  Beginning with the alternate national genealogies unearthed by William  Carlos Williams in Paterson and Charles Olson in Gloucester, Shaw  demonstrates how 
410  0$aModern & Contemporary Poetics
606   $aAmerican poetry$y20th century$xHistory and criticism
606   $aPlace (Philosophy) in literature
606   $aSetting (Literature)
606   $aPoetics$xHistory$y20th century
608   $aElectronic books.
615  0$aAmerican poetry$xHistory and criticism.
615  0$aPlace (Philosophy) in literature.
615  0$aSetting (Literature)
615  0$aPoetics$xHistory
676   $a811/.5409358
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