LEADER 02495nam 2200553Ia 450 001 9910460349903321 005 20200520144314.0 010 $a1-60805-195-1 035 $a(CKB)2670000000081409 035 $a(EBL)864331 035 $a(OCoLC)779141466 035 $a(SSID)ssj0000671756 035 $a(PQKBManifestationID)11422856 035 $a(PQKBTitleCode)TC0000671756 035 $a(PQKBWorkID)10633525 035 $a(PQKB)10151772 035 $a(MiAaPQ)EBC864331 035 $a(Au-PeEL)EBL864331 035 $a(CaPaEBR)ebr10457984 035 $a(OCoLC)726824619 035 $a(EXLCZ)992670000000081409 100 $a20080921d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAdvances in classical field theory$b[electronic resource] /$fAsher Yahalom 210 $a[S.l.] $cBentham Science Publishers$d[2011] 215 $a1 online resource (302 p.) 300 $aDescription based upon print version of record. 311 $a1-60805-645-7 320 $aIncludes bibliographical references and index. 327 $a01 Title.pdf; 02 Cover Page; 03 eBooks End User License Agreement-Website; 04 Dedication; 05 Content; 07 Preface; 08 Contributors; 09 Part 1; 10 Chapter 01; 11 Chapter 02; 12 Chapter 03; 13 Chapter 04; 14 Chapter 05; 15 Part 11; 16 Chapter 06; 17 Chapter 07; 18 Part 111; 19 Chapter 08; 20 Chapter 09; 21 Chapter 10; 22 Index 330 $aClassical field theory is employed by physicists to describe a wide variety of physical phenomena. These include electromagnetism, fluid dynamics, gravitation and quantum mechanics. The central entity of field theory is the field which is usually a multi component function of space and time. Those multi component functions are usually grouped together as vector fields as in the case in electromagnetic theory and fluid dynamics, in other cases they are grouped as tensors as in theories of gravitation and yet in other cases they are grouped as complex functions as in the case of quantum mechanic 606 $aField theory (Physics) 606 $aGravitation 608 $aElectronic books. 615 0$aField theory (Physics) 615 0$aGravitation. 676 $a530.14 700 $aYahalom$b Asher$0886078 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460349903321 996 $aAdvances in classical field theory$91978673 997 $aUNINA LEADER 03755nam 2200613Ia 450 001 9910463462303321 005 20200520144314.0 010 $a0-472-02908-8 024 7 $a10.3998/mpub.5070882 035 $a(CKB)3170000000060257 035 $a(EBL)3570473 035 $a(SSID)ssj0000891408 035 $a(PQKBManifestationID)12384667 035 $a(PQKBTitleCode)TC0000891408 035 $a(PQKBWorkID)10890833 035 $a(PQKB)11268873 035 $a(MiAaPQ)EBC3570473 035 $a(OCoLC)848902290 035 $a(MdBmJHUP)muse24872 035 $a(MiU)10.3998/mpub.5070882 035 $a(Au-PeEL)EBL3570473 035 $a(CaPaEBR)ebr10720519 035 $a(CaONFJC)MIL497816 035 $a(EXLCZ)993170000000060257 100 $a20121212d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe ghosts of the avant-garde(s)$b[electronic resource] $eexorcising experimental theater and performance /$fJames M. Harding 210 $aAnn Arbor $cUniversity of Michigan Press$d2013 215 $a1 online resource (247 p.) 300 $aDescription based upon print version of record. 311 $a0-472-11874-9 320 $aIncludes bibliographical references and index. 327 $a""Contents""; ""Introduction""; ""Chapter 1 - Avant-Garde Rhetoric: Show Trials and Collapsing Discourse at the Birth of Surrealism ""; ""Chapter 2 - From Anti-Culture to Counter-Culture: The Emergence of the American Hybrid Vanguardism ""; ""Chapter 3 - Critique of the Artist as (Re)producer: Warhol, The Living Theatre, and 'Frankenstein' ""; ""Chapter 4 - Brechtian Aesthetics and the Death of the Director in Peter Brook's 'The Mahabharata'""; ""Chapter 5 - From Cutting Edge to Rough Edges: On the Transnational Foundations of Avant-Garde Performance "" 327 $a""Chapter 6 - Performing the Vanquished Vanguards: Nostalgia, Globalization, and the Possibility of Contemporary Avant-Gardes """"Chapter 7 - Victims of History and the Ghosts of the Avant-Gardes: A Plausibly Deniable Conclusion ""; ""Notes""; ""Index"" 330 $a" Pronouncements such as "the avant-garde is dead," argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy"--$cProvided by publisher. 606 $aExperimental theater$xHistory and criticism 606 $aExperimental drama$xHistory and criticism 608 $aElectronic books. 615 0$aExperimental theater$xHistory and criticism. 615 0$aExperimental drama$xHistory and criticism. 676 $a792.02/23 700 $aHarding$b James Martin$f1958-$0973908 712 02$aMichigan Publishing (University of Michigan) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463462303321 996 $aThe ghosts of the avant-garde(s)$92216695 997 $aUNINA