LEADER 03005nam 2200565Ia 450 001 9910463441803321 005 20200520144314.0 010 $a1-4438-2452-6 035 $a(CKB)2670000000341206 035 $a(EBL)1133204 035 $a(OCoLC)830167960 035 $a(SSID)ssj0000834236 035 $a(PQKBManifestationID)11509345 035 $a(PQKBTitleCode)TC0000834236 035 $a(PQKBWorkID)10980271 035 $a(PQKB)10889658 035 $a(MiAaPQ)EBC1133204 035 $a(Au-PeEL)EBL1133204 035 $a(CaPaEBR)ebr10677158 035 $a(CaONFJC)MIL497143 035 $a(EXLCZ)992670000000341206 100 $a20110217d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSymbolism, its origins and its consequences$b[electronic resource] /$fedited by Rosina Neginsky 210 $aNewcastle upon Tyne $cCambridge Scholars$d2010 215 $a1 online resource (686 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-2392-9 320 $aIncludes bibliographical references. 327 $aTABLE OF CONTENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART II; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT; CHAPTER TWENTY-NINE; PART III; CHAPTER THIRTY 327 $aCHAPTER THIRTY-ONE CHAPTER THIRTY-TWO; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CONTRIBUTORS 330 $aThe notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L'Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going f... 606 $aSymbolism in art$xHistory$xCriticism and interpretation 606 $aSymbolism (Art movement)$xHistory$xCriticism and interpretation 608 $aElectronic books. 615 0$aSymbolism in art$xHistory$xCriticism and interpretation. 615 0$aSymbolism (Art movement)$xHistory$xCriticism and interpretation. 676 $a704.946 701 $aNezhinskaia$b Rozina$0953213 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463441803321 996 $aSymbolism, its origins and its consequences$92293812 997 $aUNINA