LEADER 03343nam 2200601 450 001 9910463370703321 005 20200520144314.0 010 $a1-4411-5562-7 035 $a(CKB)3230000000213969 035 $a(StDuBDS)AH25461357 035 $a(SSID)ssj0001196819 035 $a(PQKBManifestationID)12520121 035 $a(PQKBTitleCode)TC0001196819 035 $a(PQKBWorkID)11167081 035 $a(PQKB)11288487 035 $a(MiAaPQ)EBC1751443 035 $a(Au-PeEL)EBL1751443 035 $a(CaPaEBR)ebr10867490 035 $a(CaONFJC)MIL615739 035 $a(OCoLC)893331598 035 $a(EXLCZ)993230000000213969 100 $a20140514h20122012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeleuze and film $ea feminist introduction /$fTeresa Rizzo 210 1$aLondon, England ;$aNew York :$cContinuum,$d2012. 210 4$dİ2012 215 $a1 online resource (195 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4411-1340-1 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements \ Introduction \ 1. The Cinematic Apparatus and the Transcendental Subject \ 2. Re-thinking Representation: New Lines of Thought in Feminist Philosophy \ 3. Cinematic Assemblages: An Ethological Approach to Film-viewing \ 4. The Slasher Film: A Deleuzian Feminist Analysis \ 5. The Alien Series: Alien-Becomings, Human-Becomings \ 6. The Molecular Poetics of the Assemblage: Before Night Falls \ Conclusion: A Feminist Cinematic Assemblage \ Notes \ Bibliography \ Index 330 $aThis volume proposes a new way of thinking about cinematic viewing by exploring it as a bodily and emotional experience. It introduces Gilles Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer. 330 $bIn the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze's books on Cinema, Rizzo's work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a aecinematic assemblage', the book focuses on affective and intensive connections between film and viewer. Through a careful analysis of a range of film texts and genres that have been important to feminist film scholarship, such as the Alien series and the modern horror film, Rizzo puts Deleuze's key concepts to work in exciting new ways. 606 $aFeminism and motion pictures 606 $aFeminist film criticism 606 $aMotion pictures$xPhilosophy 608 $aElectronic books. 615 0$aFeminism and motion pictures. 615 0$aFeminist film criticism. 615 0$aMotion pictures$xPhilosophy. 676 $a791.43/6522 700 $aRizzo$b Teresa$01056414 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463370703321 996 $aDeleuze and film$92490751 997 $aUNINA