LEADER 03812nam 2200649 450 001 9910463324403321 005 20200520144314.0 010 $a981-4414-46-8 024 7 $a10.1355/9789814414463 035 $a(CKB)2670000000338280 035 $a(EBL)1132443 035 $a(OCoLC)829459997 035 $a(SSID)ssj0000833704 035 $a(PQKBManifestationID)12299420 035 $a(PQKBTitleCode)TC0000833704 035 $a(PQKBWorkID)10936081 035 $a(PQKB)11784129 035 $a(UkCbUP)CR9789814414463 035 $a(MiAaPQ)EBC1132443 035 $a(OCoLC)850226844 035 $a(MdBmJHUP)muse28133 035 $a(DE-B1597)492092 035 $a(OCoLC)1041994994 035 $a(DE-B1597)9789814414463 035 $a(PPN)199803137 035 $a(Au-PeEL)EBL1132443 035 $a(CaPaEBR)ebr11308045 035 $a(EXLCZ)992670000000338280 100 $a20180723d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusical worlds in Yogyakarta /$fMax M. Richter 210 1$aSingapore ;$aLeiden :$cInstitute of Southeast Asian Studies :$cKITLV Press,$d2013. 215 $a1 online resource (222 p.) 300 $aDescription based upon print version of record. 311 $a981-4414-45-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tGlossary of special terms -- $tIntroduction: Approaching musical life in early post-Soeharto Yogyakarta -- $tPART 1. Music and the street -- $tBackground -- $t1. Sosrowijayan and its street workers -- $t2. Musical forms and spaces -- $t3. Music groups -- $tConclusion -- $tPART 2. Habitus and physicality -- $tBackground -- $t4. Detachment engagement -- $t5. Other worlds and sexualisation -- $tConclusion -- $tPART 3. State power and musical cosmopolitanism -- $tBackground -- $t6. Regional Parliament -- $t7. Armed Forces -- $t8. Universities -- $tConclusion -- $tConclusion: Campursari and jalanan at the Sultan's Palace -- $tBibliography -- $tIndex 330 $aMusical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ("mixed essences") and jalanan ("of the street"). Musical Worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender and nation with the author's alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturally diverse inner-city settings. 606 $aMusic$xSocial aspects$zIndonesia$zYogyakarta 606 $aMusic$zIndonesia$zYogyakarta$xHistory and criticism 607 $aYogyakarta (Indonesia)$xSocial life and customs 608 $aElectronic books. 615 0$aMusic$xSocial aspects 615 0$aMusic$xHistory and criticism. 676 $a780.959827 700 $aRichter$b Max M.$0801711 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463324403321 996 $aMusical worlds in Yogyakarta$91802983 997 $aUNINA