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100   $a20180706e20142003  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aRussian cinema /$fDavid Gillespie
210  1$aAbingdon, Oxon :$cRoutledge,$d2014.
215   $a1 online resource (212 p.)
225 1 $aInside Film Series
300   $aFirst published 2003 by Pearson Education Ltd.
311   $a0-582-43790-3 
311   $a1-322-16502-5 
320   $aIncludes bibliographical references and index.
327   $aCover; Half Title; Series Page; Title Page; Copyright Page; Table of Contents; Preface; List of photographs; 1. The sight and sound of Russian film; 2. The literary space; 3. The Russian film comedy; 4. The course and curse of history; 5. Women and Russian film; 6. Film and ideology; 7. The Russian war film; 8. Private life and public morality; 9. Autobiography, memory and identity: the films of Andrei Tarkovskii; Afterword; Further reading; Bibliography; Index
330   $aRussian Cinema provides a lively and informative exploration of the film genres that developed during Russia''s tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others.The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics:The literary space - the cinematic rendering of the literary text, from ''Sovietized'' versions to bolder and more innovative interpretations, as well as adaptations o
410  0$aInside film.
606   $aMotion pictures$zSoviet Union$xHistory
606   $aMotion pictures$zRussia (Federation)$xHistory
608   $aElectronic books.
615  0$aMotion pictures$xHistory.
615  0$aMotion pictures$xHistory.
676   $a791.43/0947
700   $aGillespie$b David C.$0915573
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910463301303321
996   $aRussian cinema$92052463
997   $aUNINA