LEADER 00901nam0-22003371i-450 001 990001805020403321 005 20200901105548.0 010 $a0-19-850111-0 035 $a000180502 035 $aFED01000180502 035 $a(Aleph)000180502FED01 035 $a000180502 100 $a20021010d1997----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa 001yy 200 1 $a<>cell$ea molecular approach$fGeoffrey M. Cooper 210 $aWashington$cASM Press$d1997 215 $aXXIV, 673 p.$cill.$d29 cm$e1 CD-ROM 610 0 $aCitologia 610 0 $aBiologia molecolare 676 $a571.6 COOG 1997 700 1$aCooper,$bGeoffrey M.$062804 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001805020403321 952 $a60 571.6 COOG 1997$b6269$fFAGBC 959 $aFAGBC 996 $aCell$918758 997 $aUNINA DB $aING01 LEADER 02357nam 2200601Ia 450 001 9910463286303321 005 20200520144314.0 010 $a1-4438-3720-2 010 $a1-280-48631-7 010 $a9786613581297 010 $a9781443837202 035 $a(CKB)3360000000433575 035 $a(EBL)1165582 035 $a(OCoLC)829713465 035 $a(SSID)ssj0000943141 035 $a(PQKBManifestationID)11593665 035 $a(PQKBTitleCode)TC0000943141 035 $a(PQKBWorkID)10976936 035 $a(PQKB)11526836 035 $a(MiAaPQ)EBC1165582 035 $a(Au-PeEL)EBL1165582 035 $a(CaPaEBR)ebr10648478 035 $a(CaONFJC)MIL358129 035 $a(EXLCZ)993360000000433575 100 $a20120320d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTheatre noise$b[electronic resource] $ethe sound of performance /$fedited by Lynne Kendrick and David Roesner 210 $aNewcastle upon Tyne $cCambridge Scholars Pub.$d2011 215 $a1 online resource (263 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-3440-8 320 $aIncludes bibliographical references and index. 327 $aTABLE OF CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; PREFACE; INTRODUCTION; CHAPTER I; CHAPTER II; CHAPTER III; CHAPTER IV; CHAPTER V; CHAPTER VI; CHAPTER VII; CHAPTER VIII; CHAPTER IX; CHAPTER X; CHAPTER XI; CHAPTER XII; CHAPTER XIII; CHAPTER XIV; CHAPTER XV; CHAPTER XVI; CHAPTER XVII; CHAPTER XVIII; CONTRIBUTORS; INDEX 330 $aThis book is a timely contribution to the emerging field of the aurality of theatre and looks in particular at the interrogation and problematisation of theatre sound(s). Both approaches are represented in the idea of 'noise' which we understand both as a 606 $aTheaters$xSound effects 606 $aTheater$xProduction and direction 608 $aElectronic books. 615 0$aTheaters$xSound effects. 615 0$aTheater$xProduction and direction. 676 $a792 701 $aKendrick$b Lynne$01036711 701 $aRoesner$b David$0790061 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463286303321 996 $aTheatre noise$92457187 997 $aUNINA