LEADER 04669nam 2200793Ia 450 001 9910463285503321 005 20211007221804.0 010 $a0-8232-4551-9 010 $a0-8232-5252-3 010 $a0-8232-5033-4 024 7 $a10.1515/9780823245512 035 $a(CKB)3170000000060566 035 $a(EBL)3239785 035 $a(SSID)ssj0000782882 035 $a(PQKBManifestationID)11431266 035 $a(PQKBTitleCode)TC0000782882 035 $a(PQKBWorkID)10751667 035 $a(PQKB)10289018 035 $a(StDuBDS)EDZ0000124821 035 $a(MiAaPQ)EBC3239785 035 $a(MiAaPQ)EBC5294670 035 $a(OCoLC)859687445 035 $a(MdBmJHUP)muse19493 035 $a(OCoLC)847125510 035 $a(MdBmJHUP)muse58832 035 $a(DE-B1597)555244 035 $a(DE-B1597)9780823245512 035 $a(MiAaPQ)EBC1132255 035 $a(Au-PeEL)EBL3239785 035 $a(CaPaEBR)ebr10632674 035 $a(OCoLC)1162293025 035 $a(Au-PeEL)EBL1132255 035 $a(EXLCZ)993170000000060566 100 $a20120830d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aCinepoetry$b[electronic resource] $eimaginary cinemas in French poetry /$fChristophe Wall-Romana 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (504 p.) 225 0 $aVerbal arts: studies in poetics 300 $aDescription based upon print version of record. 311 0 $a0-8232-4549-7 311 0 $a0-8232-4548-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Illustrations --$tAcknowledgments --$tList of Abbreviations --$tIntroduction: Cinema as Imaginary Medium in French Poetry --$t1. Mallarmé Unfolds the Cinématographe --$t2. The Pen-Camera: Raymond Roussel?s Freeze-Frame Panorama --$t3. Le Film surnaturel: Cocteau?s Immersive Writing --$t4. Jean Epstein?s Invention of Cinepoetry --$t5. Breton?s Surrealism, or How to Sublimate Cinepoetry --$t6. Doing Filmic Things with Words: On Chaplin --$t7. The Poem-Scenario in the Interwar (1917?1928) --$t8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946?1959) --$t9. Postlyricism and the Movie Program: From Jarry to Alferi --$t10. Cine-Verse: Decoupage Poetics and Filmic Implicature --$t11. Max Jeanne?s Western: Eschatological Sarcasm in the Postcolony --$t12. Maurice Roche?s Compact: Word-Tracks and the Body Apparatus --$t13. Nelly Kaplan?s Le Collier de ptyx: Mallarmé as Political McGuffin --$tConclusion: The Film to Come in Contemporary Poetry --$tNotes --$tBibliography --$tIndex 330 $aCinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids. 410 0$aVerbal arts--studies in poetics. 606 $aFrench poetry$y19th century$xHistory and criticism 606 $aFrench poetry$y20th century$xHistory and criticism 606 $aMotion pictures and literature$zFrance 606 $aMotion pictures in literature 608 $aElectronic books. 615 0$aFrench poetry$xHistory and criticism. 615 0$aFrench poetry$xHistory and criticism. 615 0$aMotion pictures and literature 615 0$aMotion pictures in literature. 676 $a841/.91209357 700 $aWall-Romana$b Christophe$01026238 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463285503321 996 $aCinepoetry$92453131 997 $aUNINA