LEADER 04272nam 22006615 450 001 9910463269503321 005 20211007221956.0 010 $a0-8232-5267-1 010 $a0-8232-5232-9 010 $a0-8232-5095-4 024 7 $a10.1515/9780823252329 035 $a(CKB)3170000000060581 035 $a(EBL)1192587 035 $a(SSID)ssj0000860641 035 $a(PQKBManifestationID)11475158 035 $a(PQKBTitleCode)TC0000860641 035 $a(PQKBWorkID)10913867 035 $a(PQKB)10483243 035 $a(StDuBDS)EDZ0000155668 035 $a(MiAaPQ)EBC3239805 035 $a(OCoLC)867738281 035 $a(MdBmJHUP)muse22192 035 $a(DE-B1597)554941 035 $a(DE-B1597)9780823252329 035 $a(MiAaPQ)EBC1192587 035 $a(OCoLC)844940046 035 $a(Au-PeEL)EBL1192587 035 $a(EXLCZ)993170000000060581 100 $a20200723h20132013 fg 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 14$aThe Pleasure in Drawing /$fJean-Luc Nancy 205 $aFirst edition. 210 1$aNew York, NY :$cFordham University Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (128 p.) 300 $aTranslation of: Plaisir au dessin. -- Paris : Hazan ; Lyon : Musee des beaux-arts de Lyon, c2007. 311 0 $a0-8232-5093-8 320 $aIncludes bibliographical references. 327 $tFront matter --$tContents --$tTranslator?s Note --$tPreface to the English-Language Edition --$tForm --$tSketchbook 1 --$tIdea --$tSketchbook 2 --$tFormative Force --$tSketchbook 3 --$tThe Pleasure of Drawing --$tSketchbook 4 --$tForma Formans --$tSketchbook 5 --$tFrom Self Toward Self --$tSketchbook 6 --$tConsenting to Self --$tSketchbook 7 --$tGestural Pleasure --$tSketchbook 8 --$tThe Form-Pleasure --$tSketchbook 9 --$tThe Drawing/Design of the Arts --$tSketchbook 10 --$tMimesis --$tSketchbook 11 --$tPleasure of Relation --$tSketchbook 12 --$tDeath, Sex, Love of the Invisible --$tSketchbook 13 --$tAmbiguous Pleasure --$tSketchbook 14 --$tPurposiveness Without Purpose --$tSketchbook 15 --$tThe Line?s Desire --$tSketchbook 16 --$tNotes 330 $aOriginally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form?of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic,filmic, choreographic, poetic, melodic, and rhythmic senses.If drawing is not reducible to any form of closure, it never resolves a tension specific to itself. Rather, drawing allows the pleasure in and of drawing, the gesture of a desire that remains in excess of all knowledge, to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of ?sketchbooks? on drawing, composed of a broad range of "ations on art from different writers, artists, or philosophers. 606 $aDrawing$xPhilosophy 606 $aArt$xPhilosophy 608 $aElectronic books. 615 0$aDrawing$xPhilosophy. 615 0$aArt$xPhilosophy. 676 $a741.01/17 700 $aNancy$b Jean-Luc$4aut$4http://id.loc.gov/vocabulary/relators/aut$0157114 701 $aArmstrong$b Philip$0119673 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910463269503321 996 $aThe Pleasure in Drawing$92446410 997 $aUNINA