LEADER 03243nam  2200565Ia 450 
001 9910463244503321
005 20200520144314.0
010   $a0-231-85042-5
035   $a(CKB)2670000000396642
035   $a(EBL)1103472
035   $a(OCoLC)854520142
035   $a(SSID)ssj0001076375
035   $a(PQKBManifestationID)11687684
035   $a(PQKBTitleCode)TC0001076375
035   $a(PQKBWorkID)11027905
035   $a(PQKB)10155858
035   $a(MiAaPQ)EBC1103472
035   $a(Au-PeEL)EBL1103472
035   $a(CaPaEBR)ebr10745816
035   $a(CaONFJC)MIL562620
035   $a(EXLCZ)992670000000396642
100   $a20130118d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aFilm dialogue$b[electronic resource] /$fedited by Jeff Jaeckle
210   $aLondon $cWallflower$dc2013
215   $a1 online resource (241 p.)
300   $aDescription based upon print version of record.
311   $a0-231-16563-3 
320   $aIncludes bibliographical references and index.
327   $aContents; Notes on Contributors; Preface | Sarah Kozloff; Introduction: A Brief Primer for Film Dialogue Study | Jeff Jaeckle ; DIALOGUE AND GENRE; 1. The Leaden Echo and the Golden Echo: Dialogue in Science Fiction Films ; 2. Documenting Dialogue: Reshaping 'Reality' in Emile de Antonio's Point of Order; 3. Pronoun Troubles and Factual Conversations: Dialogue in Animated Films ; 4. Talking Teams: Dialogue and the Team Film Formula ; 5. You Talk Like a Character in a Book: Dialogue and Film Adaptation ; DIALOGUE AUTEURS; 6. Killing the Writer: Movie Dialogue Conventions and John Cassavetes
327   $a7. The Film Dialogue of Howard Hawks8. Orson Welles' Trademark: Overlapping Film Dialogue; 9. On Misspeaking in the Films of Preston Sturges; DIALOGUE AND CULTURAL REPRESENTATION; 10. 'They Will Speak in Our Language': Indian Speech in Western Movies; 11. From 'Me So Horny' to 'I'm So Ronery': Asian Images and Yellow Voices in American Cinema; 12. The Politics Speak: Performing Race from Sweetback to Foxy Brown ; 13. Male Sounds and Speech Affectations: Voicing Masculinity ; Index
330   $aFilm Dialogue is the first anthology in film studies devoted to the topic of language in cinema, bringing together leading and emerging scholars to discuss the aesthetic, narrative, and ideological dimensions of film speech that have largely gone unappreciated and unheard. Consisting of thirteen essays divided into three sections: genre, auteur theory, and cultural representation, Film Dialogue revisits and reconfigures several of the most established topics in film studies in an effort to persuade readers that ""spectators"" are more accurately described as ""audiences,"" that the gaze has it
606   $aMotion pictures
606   $aDialogue in motion pictures
608   $aElectronic books.
615  0$aMotion pictures.
615  0$aDialogue in motion pictures.
676   $a791.436
701   $aJaeckle$b Jeff$01032403
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910463244503321
996   $aFilm dialogue$92450246
997   $aUNINA