LEADER 04836oam 2200721I 450 001 9910463178203321 005 20200626122338.0 010 $a1-000-18159-6 010 $a1-000-18477-3 010 $a1-003-08498-2 010 $a1-4742-1462-2 010 $a0-85785-316-3 010 $a0-85785-055-5 035 $a(CKB)2670000000356189 035 $a(EBL)1185076 035 $a(OCoLC)843640515 035 $a(SSID)ssj0000873359 035 $a(PQKBManifestationID)12395485 035 $a(PQKBTitleCode)TC0000873359 035 $a(PQKBWorkID)10877315 035 $a(PQKB)10997479 035 $a(MiAaPQ)EBC1185076 035 $a(MiAaPQ)EBC6161877 035 $a(MiAaPQ)EBC6216666 035 $a(Au-PeEL)EBL1185076 035 $a(CaPaEBR)ebr10736581 035 $a(CaONFJC)MIL604192 035 $a(OCoLC)893336269 035 $a(OCoLC)1158313736 035 $a(OCoLC-P)1158313736 035 $a(FlBoTFG)9781003084983 035 $a(Au-PeEL)EBL6216666 035 $a(OCoLC)1157080523 035 $a(EXLCZ)992670000000356189 100 $a20200615e20202011 uy 0 101 0 $aeng 135 $aurcnu|||unuuu 181 $ctxt 182 $cc 183 $acr 200 10$aCommunity art $ean anthropological perspective /$fKate Crehan 205 $aEnglish ed. 210 1$aAbingdon, Oxon ;$aNew York, NY :$cRoutledge, Taylor & Francis Group,$d2020. 215 $a1 online resource (229 p.) 300 $a"First published in 2011 by Berg Publishers." 311 $a1-84788-834-8 311 $a1-84788-833-X 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; List of Figures; Acknowledgements; Preface; I: THE REJECTION; 1 Art Inside and Outside the Gallery; The Art World; Art with a Capital A; The Art World and Common Sense; Charges and Briefs; II: THE SHAPING; 2 Moving beyond the Gallery; Beginnings; An Art World Brief; Into the 'Community'; A Warmly Persuasive Word; Back to the Art World; 'What's It For, Mister?'; Freedom and Structure; Fun Events v. Artism Lifeism; 3 From Performance to the Environment; 'I'm Afraid This Whole Horrible Box Takes Priority'; From Visual Systems to Free Form Arts Trust; Performance 327 $aDead Fish and Totem PolesThe Environmental Turn; 4 Community Arts and the Democratization of Expertise; The Rise and Fall of Community Arts and Community Architecture; Early Environmental Work in Hackney; Providing Access to Expertise; 5 Responding to Local Needs: Goldsmiths; Football and Mosiacs; Of Distraction and Expression; 6 Making Art Collaboratively: Provost; Paths and Plantings; The Mural; 'Everybody Was Involved in the Mural'; The View from the Arts Council; 7 Theoretical and Political Locations; Artists and Ethnography; Locating the Free Form Artists; The Coming of the Audit Culture 327 $aIII: INTO THE TWENTY-FIRST CENTURY8 Free Form in 2004; A Professional Organization; The Norwich Commission; The Catton Grove Brief; 9 A Carnival and a Standing Stone; The Catton Clear Day Carnival; The Fiddlewood Project; The End of the Journey; Conclusion: Of Art and Community; Artists in the 'Community'; New Genre Public Art; The Free Artist and the 'Nonexclusive Audience'; Community Art and the 'Community'; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y 330 $aExploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective.The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art world. In seeking to give the residents of poor communities a greater role in shaping their built environment, the artists' aesthetic practice would be transformed.Community Art examines this process of aesthetic transformation and its rejection of the individualized practice of the gallery artist. The Free Form story calls into question common understandings of the categories of "art," "expertise," and "community," and makes this story relevant beyond late twentieth-century and early twenty-first-century Britain. 606 $aArtists and community$zGreat Britain 608 $aElectronic books. 615 0$aArtists and community 676 $a700.1/03 700 $aCrehan$b Kate A. F.$0473084 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910463178203321 996 $aCommunity art$9844632 997 $aUNINA LEADER 04205nam 2201021 450 001 9910477180603321 005 20170919190558.0 010 $a1-78533-154-X 024 7 $a10.1515/9781785331541 035 $a(CKB)3710000000667720 035 $a(EBL)4197988 035 $a(SSID)ssj0001673701 035 $a(PQKBManifestationID)16472476 035 $a(PQKBTitleCode)TC0001673701 035 $a(PQKBWorkID)15013150 035 $a(PQKB)10630442 035 $a(PQKBManifestationID)16472591 035 $a(PQKB)23572402 035 $a(MiAaPQ)EBC4197988 035 $a(DE-B1597)637034 035 $a(DE-B1597)9781785331541 035 $a(EXLCZ)993710000000667720 100 $a20160625h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aComing of age $eyouth and juvenile delinquency in Munich, 1942-1973 /$fMartin Kalb 210 1$aNew York ;$aOxford, [England] :$cBerghahn,$d2016. 210 4$dİ2016 215 $a1 online resource (285 p.) 300 $aDescription based upon print version of record. 311 $a1-78533-153-1 320 $aIncludes bibliographical references and index. 327 $aIntro; Contents; Illustrations; Preface; Introduction; Part I - Delinquency in the Crisis Years, 1942-1949; Chapter 1 - Constructing the Delinquent Boy and the Sexually Deviant Girl; Chapter 2 - Controlling Juvenile Delinquents in the Crisis Years; Part 2 - Americanization and Youth Cultures in the Miracle Years, 1949-1962; Chapter 3 - Constructing the Halbstarke and the Teenager; Chapter 4 - Controlling Youth and Society in the Miracle Years; Part 3 - Political Activism in the Protest Years, 1962-1973; Chapter 5 - Constructing the Student and the Gammler 327 $aChapter 6 - Controlling Protestors in the Protest YearsConclusion; Bibliography; Index 330 $aIn the lean and anxious years following World War II, Munich society became obsessed with the moral condition of its youth. Initially born of the economic and social disruption of the war years, a preoccupation with juvenile delinquency progressed into a full-blown panic over the hypothetical threat that young men and women posed to postwar stability. As Martin Kalb shows in this fascinating study, constructs like the rowdy young boy and the sexually deviant girl served as proxies for the diffuse fears of adult society, while allowing authorities ranging from local institutions to the U.S. military government to strengthen forms of social control. 606 $aJuvenile delinquency$zGermany$zMunich$xHistory$y20th century 606 $aYouth$xPolitical activity$zGermany$zMunich$xHistory$y20th century 607 $aMunich (Germany)$xHistory$y20th century 610 $aadult society. 610 $aanxious years. 610 $acrime. 610 $acriminology. 610 $aeconomics. 610 $aengaging. 610 $aeurope. 610 $afascinating study. 610 $agerman culture. 610 $agerman history. 610 $agerman occupation. 610 $agerman society. 610 $agerman youth. 610 $agermany. 610 $ahistory. 610 $ahypothetical threat. 610 $ajuvenile delinquency. 610 $amilitary government. 610 $amoral condition. 610 $amorality. 610 $amunich. 610 $apage turner. 610 $apostwar germany. 610 $apostwar stability. 610 $arealistic. 610 $arevolt. 610 $arevolutionaries. 610 $asexual deviance. 610 $asocial control. 610 $asocial disruption. 610 $asocial issues. 610 $asociety. 610 $aus military government. 610 $aworld war 2. 610 $aww ii. 615 0$aJuvenile delinquency$xHistory 615 0$aYouth$xPolitical activity$xHistory 676 $a364.360943/3640904 686 $aNS 2960$qBVB$2rvk 700 $aKalb$b Martin$0933008 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910477180603321 996 $aComing of age$92100032 997 $aUNINA