LEADER 05149nam 22008172 450 001 9910463171103321 005 20160224031219.0 010 $a1-107-23689-4 010 $a1-107-30166-1 010 $a1-107-30582-9 010 $a1-107-30675-2 010 $a1-107-30895-X 010 $a1-107-31230-2 010 $a1-299-00908-5 010 $a1-107-31450-X 010 $a1-139-23558-3 035 $a(CKB)2670000000329905 035 $a(EBL)1113089 035 $a(OCoLC)827235443 035 $a(SSID)ssj0000820409 035 $a(PQKBManifestationID)11411550 035 $a(PQKBTitleCode)TC0000820409 035 $a(PQKBWorkID)10862080 035 $a(PQKB)11750882 035 $a(UkCbUP)CR9781139235587 035 $a(MiAaPQ)EBC1113089 035 $a(Au-PeEL)EBL1113089 035 $a(CaPaEBR)ebr10649591 035 $a(CaONFJC)MIL432158 035 $a(EXLCZ)992670000000329905 100 $a20120120d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aShakespearean sensations $eexperiencing literature in early modern England /$fedited by Katharine A. Craik and Tanya Pollard$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (x, 244 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 24 Feb 2016). 311 $a1-107-55949-9 311 $a1-107-02800-0 320 $aIncludes bibliographical references and index. 327 $aPart One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith. 327 $aIntroduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. 330 $aThis strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers. 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism$xTheory, etc 606 $aEnglish literature$xPsychological aspects 606 $aReading$xPhysiological aspects 606 $aSenses and sensation in literature 606 $aReader-response criticism 606 $aTheater audiences$zEngland$xHistory$y16th century 606 $aTheater audiences$zEngland$xHistory$y17th century 606 $aMind and body 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aEnglish literature$xPsychological aspects. 615 0$aReading$xPhysiological aspects. 615 0$aSenses and sensation in literature. 615 0$aReader-response criticism. 615 0$aTheater audiences$xHistory 615 0$aTheater audiences$xHistory 615 0$aMind and body. 676 $a820.9/353 702 $aCraik$b Katharine A. 702 $aPollard$b Tanya 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910463171103321 996 $aShakespearean sensations$92486856 997 $aUNINA