LEADER 03671nam 2200613Ia 450 001 9910463145003321 005 20200520144314.0 010 $a90-04-24832-3 024 7 $a10.1163/9789004248328 035 $a(CKB)2670000000353911 035 $a(EBL)1173087 035 $a(SSID)ssj0000873550 035 $a(PQKBManifestationID)11496154 035 $a(PQKBTitleCode)TC0000873550 035 $a(PQKBWorkID)10877472 035 $a(PQKB)11751997 035 $a(MiAaPQ)EBC1173087 035 $a(OCoLC)842972007$z(OCoLC)842889268 035 $a(nllekb)BRILL9789004248328 035 $a(Au-PeEL)EBL1173087 035 $a(CaPaEBR)ebr10689449 035 $a(CaONFJC)MIL478884 035 $a(OCoLC)843636883 035 $a(EXLCZ)992670000000353911 100 $a20121130d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Hindu-Buddhist sculpture of ancient Kashmir and its influences$b[electronic resource] /$fby John Siudmak 210 $aLeiden ;$aBoston $cBrill$d2013 215 $a1 online resource (546 p.) 225 0 $aHandbook of Oriental Studies = Handbuch der Orientalistik. Section Two, South Asia,$x0169-9377 ;$vvol. 28 300 $aDescription based upon print version of record. 311 $a90-04-24315-1 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction -- 1. Historical and Cultural Background of Kashmir Up to 1003 AD -- 2. Early Sculptures -- 3. The Formative Period: Sculptures from Bijbihara of the Fifth and Sixth Centuries -- 4. The Formative Period: Sculptures from Baramula of the Fifth to the Sixth Century -- 5. Post-Gupta Influence: The Art of Pandrethan and Related Sculptures of the First Half of the Seventh Century -- 6. The Emergence of the Classical Style: Buddhist Sculpture of the Seventh Century -- 7. Buddhist Sculpture of the Eighth Century Up Till the End of the K?rko?a Period -- 8. The Classical Style: Brahmanical Sculpture of the K?rko?a Period -- 9. The Sculpture of Avantipura and the Art of the Utpalas up to the Beginning of the Lohara Dynasty (CA. 850?1003 AD) -- Appendix: Kashmirian Literary Evidence for Multi-Headed ?iva Images -- Bibliography -- Index. 330 $aThe Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences is primarily based on the study of the largely unpublished corpus of sculpture, mostly of stone, in the Sri Pratap Singh Museum in Srinagar, and of other examples in situ elsewhere in the valley. The disparate nature and fragmentary condition of these sculptures as well as their artistic and iconographical influences have for long defied accurate analysis. The method used in the classification of these sculptures is based on close analysis of their style concentrating on recurring features such as facial and physical typology, modelling, dress and ornamentation. Comparisons are made with other examples of Kashmir bronze, ivory and stone sculpture in private and public collections both within India and abroad. 410 0$aHandbook of Oriental Studies. Section 2 South Asia$v28. 606 $aBuddhist sculpture$zIndia$zJammu and Kashmir 606 $aHindu sculpture$zIndia$zJammu and Kashmir 608 $aElectronic books. 615 0$aBuddhist sculpture 615 0$aHindu sculpture 676 $a732/.4 700 $aSiudmak$b John$0920697 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463145003321 996 $aThe Hindu-Buddhist sculpture of ancient Kashmir and its influences$92064911 997 $aUNINA