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100   $a20100302d2010      uy             0
101 0 $aeng
135   $aur|nu---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aJazz matters$b[electronic resource] $esound, place, and time since bebop /$fDavid Ake
210   $aBerkeley, CA $cUniversity of California Press$dc2010
215   $a1 online resource (211 p.)
300   $a"Roth Family Foundation music in America imprint"--Prelim. p. before t.p.
311 0 $a0-520-26688-9 
311 0 $a0-520-26689-7 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tIllustrations --$tIntroduction --$tPart one. Sound and Time --$tPart two. Place and Time --$tAcknowledgments --$tAppendix one. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level --$tAppendix two. Interview Locations and Dates --$tNotes --$tIndex
330   $aWhat, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940's jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He uses provocative case studies to illustrate how some of the values ascribed to the postwar jazz culture are reflected in and fundamentally shaped by aspects of sound, location, and time.
606   $aJazz$xHistory and criticism
606   $aJazz$xSocial aspects
608   $aElectronic books.
615  0$aJazz$xHistory and criticism.
615  0$aJazz$xSocial aspects.
676   $a781.65/5
700   $aAke$b David Andrew$f1961-$01040687
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910463118203321
996   $aJazz matters$92470145
997   $aUNINA