LEADER 02228nam 2200577 450 001 9910463061903321 005 20200520144314.0 010 $a0-231-50311-3 035 $a(CKB)2670000000392516 035 $a(EBL)927987 035 $a(OCoLC)818857811 035 $a(SSID)ssj0001388075 035 $a(PQKBManifestationID)11764058 035 $a(PQKBTitleCode)TC0001388075 035 $a(PQKBWorkID)11383922 035 $a(PQKB)11454459 035 $a(MiAaPQ)EBC927987 035 $a(Au-PeEL)EBL927987 035 $a(CaPaEBR)ebr10976025 035 $a(CaONFJC)MIL684816 035 $a(EXLCZ)992670000000392516 100 $a20141121h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMise-en-sce?ne $efilm style and interpretation /$fJohn Gibbs 210 1$aNew York :$cWallflower Press,$d2002. 210 4$dİ2002 215 $a1 online resource (196 p.) 225 1 $aShort Cuts 300 $aDescription based upon print version of record. 311 $a1-903364-06-X 320 $aIncludes bibliographical references and index. 330 $a
Mise-en-sce?ne: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-sce?ne within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.
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