LEADER 00811cam0-22003011i-450- 001 990007399230403321 005 20070905115957.0 010 $a0-412-98281-1 035 $a000739923 035 $aFED01000739923 035 $a(Aleph)000739923FED01 035 $a000739923 100 $a20030317d1996----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $ay-------001yy 200 1 $aMultiple comparisons$etheory and methods$fJason C. Hsu 210 $aLondon [etc.]$cChapman & Hall$d1996 215 $aXIV, 277 p.$d24 cm 676 $a519.5$v21$zita 700 1$aHsu,$bJason C.$0267502 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007399230403321 952 $aVI E 1020$b39499$fFSPBC 959 $aFSPBC 996 $aMultiple comparisons$9691585 997 $aUNINA LEADER 00944nam2-22003251i-450- 001 990000572340403321 005 20001010 010 $a0 85177 278 1 035 $a000057234 035 $aFED01000057234 035 $a(Aleph)000057234FED01 035 $a000057234 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a2. : The Warsaw pact and non-alignednations 210 $aLondon$cConway Press$d1983 215 $a2/2 v.$d30 cm$dill$cpp. 299-510 + indice e appendice 461 0$1001000055566$12001$aConway's all the world's fighting ships 610 0 $aNavi da guerra 676 $a623.85$a359.83 702 1$aGardiner,$bRobert 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000572340403321 952 $a000057234000001$fDININ 959 $aDININ 996 $a2. : The Warsaw pact and non-alignednations$9319024 997 $aUNINA DB $aING01 LEADER 02786nam 2200589 a 450 001 9910463027703321 005 20200520144314.0 010 $a1-299-14901-4 010 $a0-7391-7622-6 035 $a(CKB)2670000000331119 035 $a(EBL)1117135 035 $a(OCoLC)827944887 035 $a(SSID)ssj0000821811 035 $a(PQKBManifestationID)12319027 035 $a(PQKBTitleCode)TC0000821811 035 $a(PQKBWorkID)10881198 035 $a(PQKB)10065328 035 $a(MiAaPQ)EBC1117135 035 $a(Au-PeEL)EBL1117135 035 $a(CaPaEBR)ebr10655620 035 $a(CaONFJC)MIL446151 035 $a(EXLCZ)992670000000331119 100 $a20120919d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe digitization of cinematic visual effects$b[electronic resource] $eHollywood's coming of age /$fRama Venkatasawmy 210 $aLanham $cLexington Books$d2012 215 $a1 online resource (345 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-7621-8 320 $aIncludes bibliographical references and index. 327 $aAn overview of VFX-intensive filmmaking in 20th century Hollywood cinema -- Defining the object of enquiry -- "Effects" in Hollywood cinema -- Science, technology and Hollywood cinema -- The Hollywood cinema industry's coming of digital age -- Afterword -- Appendices: (A) A time-line of landmark (VFX-intensive) films, techno-scientific innovations, financial and industrial events that have contributed to the evolution of digital VFX in the Hollywood cinema industry up to the 1990s -- (B) Top 100 all-time domestic grosses (2012) -- (C) A basic glossary of analog and digital terminologies and key professions in the Hollywood cinema VFX industry. 330 $aWhile many books have addressed visual effects in Hollywood cinema, The Digitization of Cinematic Visual Effects: Hollywood's Coming of Age, by Rama Venkatasawmy, fills an important gap in cinematic analysis and film history by providing a periodization and techno-historical account of visual effects in Hollywood cinema. 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aCinematography$xSpecial effects 606 $aDigital cinematography 608 $aElectronic books. 615 0$aMotion pictures$xHistory 615 0$aCinematography$xSpecial effects. 615 0$aDigital cinematography. 676 $a791.430973 700 $aVenkatasawmy$b Rama$f1972-$01056413 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463027703321 996 $aThe digitization of cinematic visual effects$92490749 997 $aUNINA