LEADER 04758nam 22008051 450 001 9910463025803321 005 20211214032535.0 010 $a0-8122-0859-5 024 7 $a10.9783/9780812208597 035 $a(CKB)2670000000427098 035 $a(SSID)ssj0001048509 035 $a(PQKBManifestationID)11656652 035 $a(PQKBTitleCode)TC0001048509 035 $a(PQKBWorkID)11014622 035 $a(PQKB)11516651 035 $a(MiAaPQ)EBC3442259 035 $a(OCoLC)867741619 035 $a(MdBmJHUP)muse27256 035 $a(DE-B1597)449781 035 $a(OCoLC)861477990 035 $a(OCoLC)979577387 035 $a(DE-B1597)9780812208597 035 $a(Au-PeEL)EBL3442259 035 $a(CaPaEBR)ebr10767846 035 $a(CaONFJC)MIL682652 035 $a(EXLCZ)992670000000427098 100 $a20130204d2013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAnimal bodies, Renaissance culture /$fKaren Raber 205 $aFirst edition. 210 1$aPhiladelphia :$cUniversity of Pennsylvania Press,$d2013. 215 $a1 online resource (244 pages) $cillustrations 225 0 $aHaney Foundation Series 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a1-322-51370-8 311 0 $a0-8122-4536-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction. Absent Bodies --$tChapter 1. Resisting Bodies: Renaissance Animal Anatomies --$tChapter 2. Erotic Bodies: Loving Horses --$tChapter 3. Mutual Consumption: The Animal Within --$tChapter 4. Animal Architectures: Urban Beasts --$tChapter 5. Working Bodies: Laboring Moles and Cannibal Sheep --$tConclusion. Knowing Animals --$tNotes --$tBibliography --$tIndex --$tAcknowledgments 330 $aAnimal Bodies, Renaissance Culture examines how the shared embodied existence of early modern human and nonhuman animals challenged the establishment of species distinctions. The material conditions of the early modern world brought humans and animals into complex interspecies relationships that have not been fully accounted for in critical readings of the period's philosophical, scientific, or literary representations of animals. Where such prior readings have focused on the role of reason in debates about human exceptionalism, this book turns instead to a series of cultural sites in which we find animal and human bodies sharing environments, mutually transforming and defining one another's lives. To uncover the animal body's role in anatomy, eroticism, architecture, labor, and consumption, Karen Raber analyzes canonical works including More's Utopia, Shakespeare's Hamlet and Romeo and Juliet, and Sidney's poetry, situating them among readings of human and equine anatomical texts, medical recipes, theories of architecture and urban design, husbandry manuals, and horsemanship treatises. Raber reconsiders interactions between environment, body, and consciousness that we find in early modern human-animal relations. Scholars of the Renaissance period recognized animals' fundamental role in fashioning what we call "culture," she demonstrates, providing historical narratives about embodiment and the cultural constructions of species difference that are often overlooked in ecocritical and posthumanist theory that attempts to address the "question of the animal." 410 0$aHaney Foundation series. 606 $aAnimal intelligence$xPhilosophy$xHistory$y16th century 606 $aAnimal intelligence$xPhilosophy$xHistory$y17th century 606 $aAnimals (Philosophy)$zEurope$xHistory$y16th century 606 $aAnimals (Philosophy)$zEurope$xHistory$y17th century 606 $aHuman beings$xAnimal nature$xHistory$y16th century 606 $aHuman beings$xAnimal nature$xHistory$y17th century 606 $aHuman-animal relationships$zEurope$xHistory$y16th century 606 $aHuman-animal relationships$zEurope$xHistory$y17th century 608 $aElectronic books. 615 0$aAnimal intelligence$xPhilosophy$xHistory 615 0$aAnimal intelligence$xPhilosophy$xHistory 615 0$aAnimals (Philosophy)$xHistory 615 0$aAnimals (Philosophy)$xHistory 615 0$aHuman beings$xAnimal nature$xHistory 615 0$aHuman beings$xAnimal nature$xHistory 615 0$aHuman-animal relationships$xHistory 615 0$aHuman-animal relationships$xHistory 676 $a113/.8 700 $aRaber$b Karen$f1961-$01042408 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463025803321 996 $aAnimal bodies, Renaissance culture$92466617 997 $aUNINA LEADER 04244nam 2200721 450 001 9910789039603321 005 20211012004315.0 010 $a0-8122-0938-9 024 7 $a10.9783/9780812209389 035 $a(CKB)3710000000085926 035 $a(OCoLC)871191892 035 $a(CaPaEBR)ebrary10829018 035 $a(SSID)ssj0001128420 035 $a(PQKBManifestationID)12412162 035 $a(PQKBTitleCode)TC0001128420 035 $a(PQKBWorkID)11066052 035 $a(PQKB)10333490 035 $a(MdBmJHUP)muse32963 035 $a(DE-B1597)449813 035 $a(DE-B1597)9780812209389 035 $a(Au-PeEL)EBL3442325 035 $a(CaPaEBR)ebr10829018 035 $a(CaONFJC)MIL682614 035 $a(MiAaPQ)EBC3442325 035 $a(EXLCZ)993710000000085926 100 $a20140204h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGoethe's allegories of identity /$fJane K. Brown 205 $a1st ed. 210 1$aPhiladelphia, Pennsylvania :$cUniversity of Pennsylvania Press,$d2014. 210 4$dİ2014 215 $a1 online resource (241 p.) 225 0 $aHaney Foundation Series 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a1-322-51332-5 311 0 $a0-8122-4582-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tChapter 1. Representing Subjectivity --$tChapter 2. Goethe Contra Rousseau on Passion --$tChapter 3. Goethe Contra Rousseau on Social Responsibility --$tChapter 4. The Theatrical Self --$tChapter 5. The Scientific Self: Identity in Faust --$tChapter 6. The Narrative Self --$tChapter 7. Goethe?s Angst --$tChapter 8. ?Es singen wohl die Nixen?: Werther and the Romantic Tale --$tChapter 9. Goethe and the Uncanny --$tConclusion. Classicism and Goethe?s Emotional Regime --$tNotes --$tWorks Cited --$tIndex --$tAcknowledgments 330 $aA century before psychoanalytic discourse codified a scientific language to describe the landscape of the mind, Johann Wolfgang von Goethe explored the paradoxes of an interior self separate from a conscious self. Though long acknowledged by the developers of depth psychology and by its historians, Goethe's literary rendering of interiority has not been the subject of detailed analysis in itself. Goethe's Allegories of Identity examines how Goethe created the essential bridge between the psychological insights of his contemporary, Jean-Jacques Rousseau, and the psychoanalytic theories of his admirer Sigmund Freud. Equally fascinated and repelled by Rousseau's vision of an unconscious self, Goethe struggled with the moral question of subjectivity: what is the relation of conscience to consciousness? To explore this inner conflict through language, Goethe developed a unique mode of allegorical representation that modernized the long tradition of dramatic personification in European drama. Jane K. Brown's deft, focused readings of Goethe's major dramas and novels, from The Sorrows of Young Werther to Elective Affinities, reveal each text's engagement with the concept of a subconscious or unconscious psyche whose workings are largely inaccessible to the rational mind. As Brown demonstrates, Goethe's representational strategies fashioned a language of subjectivity that deeply influenced the conceptions of important twentieth-century thinkers such as Freud, Michel Foucault, and Hannah Arendt. 410 0$aHaney Foundation series. 606 $aIdentity (Philosophical concept) in literature 606 $aSelf in literature 606 $aSubconsciousness in literature 606 $aSubjectivity in literature 610 $aCultural Studies. 610 $aLiterature. 615 0$aIdentity (Philosophical concept) in literature. 615 0$aSelf in literature. 615 0$aSubconsciousness in literature. 615 0$aSubjectivity in literature. 676 $a831/.6 700 $aBrown$b Jane K.$f1943-$0983883 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789039603321 996 $aGoethe's allegories of identity$93854400 997 $aUNINA