LEADER 05640oam 2200757Mn 450 001 9910463013203321 005 20200324081316.0 010 $a0-240-82152-1 010 $a1-299-13707-5 010 $a1-136-08582-3 035 $a(CKB)2670000000331330 035 $a(EBL)1125227 035 $a(OCoLC)828298601 035 $a(SSID)ssj0000821824 035 $a(PQKBManifestationID)12363515 035 $a(PQKBTitleCode)TC0000821824 035 $a(PQKBWorkID)10879652 035 $a(PQKB)10371031 035 $a(OCoLC)827944780 035 $a(MiAaPQ)EBC1125227 035 $a(OCoLC)860542384 035 $a(OCoLC-P)860542384 035 $a(FlBoTFG)9780240821528 035 $a(EXLCZ)992670000000331330 100 $a20121217d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDraping period costumes $eclassical Greek to Victorian /$fSharon Sobel 210 $aBurlington, Mass. $cFocal Press$d2013 215 $a1 online resource (224 p.) 225 0 $aFocal Press costume topics series 300 $aIncludes index. 311 $a0-240-82133-5 327 $aFront Cover; Draping Period Costumes: Classical Greek to Victorian; Copyright Page; Contents; Acknowledgments; Introduction; Chapter 1. Getting Started; Setting Up; The Proper Dress Form; Measurements; *Adapting the Dress Form; Proper Care of Your Dress Form; Draping Basics; Tools and Equipment; Fabric; Straight of Grain; Listen to What the Fabric is Telling You; Start with a Fitted Sloper; Transferring Your Pattern to Paper; Chapter 2. Early, Unstructured Garments; Ancient Greek Costume; The Greek Doric Chiton (kee-ton); The Greek Himation (hih-mah-tee-on); The Greek Doric Peplos 327 $aThe Greek Ionic ChitonThe Greek Diplas (or Diplax); Roman Costume; The Roman Tunic; The Roman Toga; Byzantine Costume; The Byzantine Tunic; The Byzantine Paludamentum; Early Gothic Costume; Early Gothic Tunics; Early Gothic Overgarments; Chapter 3. Cut and Shaped to Fit: The Gothic Period; The Man's Padded Doublet; The Man's Fitted Cotehardie; The Man's Pleated Jerkin; The Standing Collar; The Woman's Fitted Gown (Cote or Kirtle); The Unisex Houppelande (A-Line Gown); Woman's High-Waisted Gown (Houppelande) with Fitted Bodice; Chapter 4. The Height of Artificial Silhouette 327 $aA Woman's Elizabethan BodiceA Man's Elizabethan Doublet with a Padded Peascod Belly; The Man's Elizabethan Jerkin; Chapter 5. The Men Return to Softness...; Draping an Early-Seventeenth-Century (Cavalier); Slashed Doublet with a Waist Seam; Draping an Early-Seventeenth-Century (Cavalier); Doublet without a Waist Seam; The Birth of the Coat and Vest; Draping a Late-Seventeenth-Century Coat; Chapter 6. . . . While the Women Remain Tightly Corseted; Draping the Basque Bodice; Draping the Mid-Seventeenth-Century Bodice; Skirts; Draping the Late-Seventeenth-Century (Restoration) Mantua 327 $aChapter 7. Introduction of Tailoring to the Man's CostumeDraping an Early-Eighteenth-Century Coat; Draping a Mid-Eighteenth-Century Coat; Draping an Eighteenth-Century Vest (Waistcoat); Chapter 8. Variety of Silhouette in Eighteenth-Century Women's Costumes; Draping the Robe a l'Anglaise; Draping the Robe a la Francaise or Watteau-Backed Gown; Draping the Sack (Sacque) Gown; Chapter 9. Neoclassical Elegance; Draping a Chemise Gown; Draping an Open Robe or Over Gown; Draping a Double-Breasted Spencer Jacket; Chapter 10. Revolutionary Menswear; Draping a Late-Eighteenth-Century Coat 327 $aDraping an Early-Nineteenth-Century CoatDraping an Early-Nineteenth-Century Waistcoat; Single-Breasted Waistcoat with Collar Cut-in-One with Body; Double-Breasted Waistcoat with Shawl Collar; Chapter 11. Romantic Womenswear; Draping an 1820s Gown; Draping an 1830s Bodice; Draping an 1840s Bodice; Draping a Mid-Nineteenth-Century Bodice; Chapter 12. The Victorian Gentleman; Draping the Mid-Nineteenth-Century Frock Coat; Draping the Mid-Nineteenth-Century Morning Coat; Draping the Mid-Nineteenth-Century Tail Coat; Draping the Sack Coat and the Norfolk Jacket; Chapter 13. The Victorian Lady 327 $aDraping an 1860s Jacket Bodice 330 $aOne way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In 606 $aDressmaking 606 $aCostume$xHistory$yMedieval, 500-1500 606 $aClothing and dress$zRome$xHistory 606 $aClothing and dress$zGreece$xHistory 606 $aClothing and dress$zEurope$xHistory 606 $aDress forms 608 $aElectronic books. 615 0$aDressmaking. 615 0$aCostume$xHistory 615 0$aClothing and dress$xHistory. 615 0$aClothing and dress$xHistory. 615 0$aClothing and dress$xHistory. 615 0$aDress forms. 676 $a646.30902 676 $a646/.30902 676 $a792.026 700 $aSobel$b Sharon$f1959-$0928955 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910463013203321 996 $aDraping period costumes$92087775 997 $aUNINA LEADER 01477nam 2200421Ia 450 001 9910711295703321 005 20180711120945.0 024 8 $aGOVPUB-C13-a7f75c478143d531283238ae3b020e4c 035 $a(CKB)5470000002481060 035 $a(OCoLC)957470356 035 $a(OCoLC)995470000002481060 035 $a(EXLCZ)995470000002481060 100 $a20160829d1956 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA study of some physical properties of five rock samples /$fArthur Hockman, T.W. Reichard, E.W. Krussell 210 1$aGaithersburg, MD :$cU.S. Dept. of Commerce, National Institute of Standards and Technology,$d1956. 215 $a1 online resource 225 1 $aNBS report ;$v4550 300 $a1956. 300 $aContributed record: Metadata reviewed, not verified. Some fields updated by batch processes. 300 $aTitle from PDF title page. 320 $aIncludes bibliographical references. 700 $aHockman$b Arthur$01401508 701 $aHockman$b Arthur$01401508 701 $aKrussell$b E. W$01401509 701 $aReichard$b T. W$g(Thomas W.)$01392112 712 02$aUnited States.$bNational Bureau of Standards. 801 0$bNBS 801 1$bNBS 801 2$bOCLCO 801 2$bOCLCQ 906 $aBOOK 912 $a9910711295703321 996 $aA study of some physical properties of five rock samples$93503413 997 $aUNINA