LEADER 03234nam 2200553 450 001 9910462975403321 005 20200520144314.0 010 $a1-61703-869-5 010 $a1-62103-969-2 035 $a(CKB)2670000000428184 035 $a(SSID)ssj0000999931 035 $a(PQKBManifestationID)11628828 035 $a(PQKBTitleCode)TC0000999931 035 $a(PQKBWorkID)10942886 035 $a(PQKB)10966314 035 $a(MiAaPQ)EBC1181919 035 $a(OCoLC)841518502 035 $a(MdBmJHUP)muse28596 035 $a(Au-PeEL)EBL1181919 035 $a(CaPaEBR)ebr10769552 035 $a(CaONFJC)MIL838053 035 $a(EXLCZ)992670000000428184 100 $a20130425d2013 ub 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChester Brown $econversations /$fedited by Dominick Grace and Eric Hoffman ; annotated by Chester Brown 210 1$aJackson :$cUniversity Press of Mississippi,$d2013. 215 $a1 online resource (284 pages) 225 0$aConversations with comic artists 300 $aIncludes index. 311 $a1-61703-868-7 330 $a"The early 1980's saw a revolution in mainstream comics--in subject matter, artistic integrity, and creators' rights--as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur. Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. Brown was among a new generation of artists whose work dealt with decidedly nonmainstream subjects. By the 1980's comics were not just for kids anymore and subsequent censorious attacks by parents concerned about the more salacious material being published by the major publishers--subjects that routinely included adult language, realistic violence, drug use, and sexual content--began to roil the industry. Yummy Fur came of age during this storm and its often-offensive content, including dismembered, talking penises, led to controversy and censorship. With Brown's highly unconventional adaptations of the Gospels, and such comics memoirs as The Playboy and I Never Liked You, Brown gradually moved away from the surrealistic, humor-oriented strips toward autobiographical material far more restrained and elegiac in tone than his earlier strips. This work was followed by Louis Riel, Brown's critically acclaimed comic book biography of the controversial nineteenth-century Canadian revolutionary, and Paying for It, his best-selling memoir on the life of a john"--$cProvided by publisher. 606 $aCartoonists$zCanada$vInterviews 608 $aElectronic books. 615 0$aCartoonists 676 $a741.5/971 700 $aBrown$b Chester$f1960-$0903864 701 $aGrace$b Dominick$f1976-$0903865 701 $aHoffman$b Eric$f1963-$0903866 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462975403321 996 $aChester Brown$92020530 997 $aUNINA