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181   $ctxt
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200 10$aSouth American cinematic culture$b[electronic resource] $epolicy, production, distribution and exhibition /$fby Miriam Ross
210   $aNewcastle upon Tyne $cCambridge Scholars$d2010
215   $a1 online resource (244 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-2483-6 
320   $aIncludes bibliographical references (p. [215]-232) and index.
320   $aIncludes filmography: p. [210]-214.
327   $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; ABBREVIATIONS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CONCLUSION; APPENDIX A; FILMOGRAPHY; BIBLIOGRAPHY; INDEX
330   $aThis study of South American cinema offers a new way of approaching the variety of films available in the region. It brings to light the interconnectivity between state-run institutions (film councils, cinemateques, archives) altruistic bodies (film festival funds, NGOs) and commercial organisations (production companies, exhibitors and distributors). Examples of filmmakers, policy initiatives, funding sources and alternative film networks combine to produce a rich overview of one of the most...
606   $aMotion pictures$zSouth America
606   $aMotion picture industry$zSouth America
608   $aElectronic books.
615  0$aMotion pictures
615  0$aMotion picture industry
676   $a791.43098
700   $aRoss$b Miriam$01028119
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462968203321
996   $aSouth American cinematic culture$92443975
997   $aUNINA