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024 7 $a10.4324/9781315595153 
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100   $a20180706e20162013  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMichael Jackson and the blackface mask /$fHarriet J. Manning
210  1$aLondon :$cRoutledge,$d2016.
215   $a1 online resource (205 p.)
225 1 $aAshgate popular and folk music series
300   $aFirst published 2013 by Ashgate Publishing.
311   $a1-138-27428-3 
311   $a1-4094-5510-6 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Figures; General Editor's Preface; Introduction; 1 Conflict and Contradiction: Nineteenth-Century Blackface Minstrelsy; 2 'Black or White': From Jim Crow to Michael Jackson; 3 The Continuum of Blackface Minstrelsy; 4 Ghosts: Racial Fantasy and the Lost Black Self; 5 Turnaround: Love and Theft; 6 Just Using It: Eminem, the Mask and a Fight for Authenticity; 7 The Burden of Ambiguity; 8 This Is It; Bibliography; Index
330   $aHarriet Manning argues that the nineteenth-century blackface minstrelsy's legacy is nowhere more evident than with Michael Jackson, in whom minstrelsy's gestures and tropes are embedded. The author further contends that minstrelsy's assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset. Blackface minstrelsy continues to permeate contemporary popular music and its audience. The body of contradiction behind the blackface mask provides an effective approach to try to understand Jackson, a cultural figure about whom more questions than answers ha
410  0$aAshgate popular and folk music series.
606   $aMusic and race
606   $aBlackface entertainers
606   $aMinstrel music$xHistory and criticism
608   $aElectronic books.
615  0$aMusic and race.
615  0$aBlackface entertainers.
615  0$aMinstrel music$xHistory and criticism.
676   $a782.42166092
700   $aManning$b Harriet J.$0939756
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462925003321
996   $aMichael Jackson and the blackface mask$92118803
997   $aUNINA