LEADER 04056nam 22007932 450 001 9910462817503321 005 20151005020622.0 010 $a1-139-85368-6 010 $a1-107-23391-7 010 $a1-139-84460-1 010 $a1-139-84105-X 010 $a1-283-94295-X 010 $a1-139-83986-1 010 $a1-139-84566-7 010 $a1-139-84224-2 010 $a0-511-68690-0 035 $a(CKB)2670000000309924 035 $a(EBL)1057479 035 $a(OCoLC)821869697 035 $a(SSID)ssj0000781846 035 $a(PQKBManifestationID)11419634 035 $a(PQKBTitleCode)TC0000781846 035 $a(PQKBWorkID)10734551 035 $a(PQKB)11280578 035 $a(UkCbUP)CR9780511686900 035 $a(MiAaPQ)EBC1057479 035 $a(Au-PeEL)EBL1057479 035 $a(CaPaEBR)ebr10643436 035 $a(CaONFJC)MIL425545 035 $a(EXLCZ)992670000000309924 100 $a20100217d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe performance of nationalism $eIndia, Pakistan, and the memory of partition /$fJisha Menon$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xii, 260 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in modern theatre 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-00010-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Bordering on drama: the performance of politics and the politics of performance -- Ghatak's cinema and the discoherence of the Bengal partition -- The poetics and politics of accommodation -- Somatic texts and the gender of partition -- Kashmir: hospitality and the "unfinished business" of partition. 330 $aImagine the patriotic camaraderie of national day parades. How crucial is performance for the sustenance of the nation? The Performance of Nationalism considers the formation of the Indian and Pakistani nation, in the wake of the most violent chapter of its history: the partition of the subcontinent. In the process, Jisha Menon offers a fresh analysis of nationalism from the perspective of performance. Menon recuperates the manifold valences of 'mimesis' as aesthetic representation, as the constitution of a community of witnesses, and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina, and the cinema of Ritwik Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles, and doppelgangers that suffuse these performances, this study troubles the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics. 410 0$aCambridge studies in modern theatre. 606 $aIndic drama$y20th century$xHistory and criticism 606 $aNationalism in literature 606 $aPartition, Territorial, in literature 606 $aMotion pictures, Indic 606 $aNationalism in motion pictures 607 $aIndia$xHistory$yPartition, 1947$xInfluence 607 $aIndia$xIn literature 607 $aPakistan$xIn literature 607 $aIndia$xIn motion pictures 607 $aPakistan$xIn motion pictures 615 0$aIndic drama$xHistory and criticism. 615 0$aNationalism in literature. 615 0$aPartition, Territorial, in literature. 615 0$aMotion pictures, Indic. 615 0$aNationalism in motion pictures. 676 $a891/.1 700 $aMenon$b Jisha$f1972-$01049138 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910462817503321 996 $aThe performance of nationalism$92477886 997 $aUNINA