LEADER 01154cam0-22003971i-450- 001 990007940020403321 005 20100525114403.0 010 $a88-510-0110-3 035 $a000794002 035 $aFED01000794002 035 $a(Aleph)000794002FED01 035 $a000794002 100 $a20041102d2002----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa---a---001yy 200 1 $a<>Rione Terra di Pozzuoli$fStefano De Caro, Costanza Gialanella$gfotografie di Mimmo Jodice 210 $aNapoli$cElecta Napoli$d2002 215 $a109 p.$cill.$d28 cm 610 0 $aRione Terra$aStoria$aPozzuoli 676 $a937$v21$zita 700 1$aDe Caro,$bStefano$f<1950- >$0343775 701 1$aGialanella,$bCostanza$0148669 702 1$aJodice,$bMimmo$f<1934- > 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007940020403321 952 $a937 DEC 1$bBibl.49974$fFLFBC 952 $aVII D 112$b39558$fFSPBC 952 $a03.700$b5093$fDARST 952 $a30.286$b8064$fDARST 959 $aFLFBC 959 $aFSPBC 959 $aDARST 996 $aRione terra di Pozzuoli$9513668 997 $aUNINA LEADER 03139oam 2200673I 450 001 9910462765303321 005 20200520144314.0 010 $a0-203-12628-9 010 $a1-283-84267-X 010 $a1-136-45516-7 024 7 $a10.4324/9780203126288 035 $a(CKB)2670000000298995 035 $a(EBL)1075343 035 $a(OCoLC)819378935 035 $a(SSID)ssj0000784759 035 $a(PQKBManifestationID)11486500 035 $a(PQKBTitleCode)TC0000784759 035 $a(PQKBWorkID)10784045 035 $a(PQKB)10281571 035 $a(MiAaPQ)EBC1075343 035 $a(Au-PeEL)EBL1075343 035 $a(CaPaEBR)ebr10630916 035 $a(CaONFJC)MIL415517 035 $a(OCoLC)823380470 035 $a(EXLCZ)992670000000298995 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe cinema and the origins of literary modernism /$fAndrew Shail 210 1$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (269 p.) 225 1 $aRoutledge interdisciplinary perspectives on literature ;$v7 225 0$aRoutledge interdisciplinary perspectives on literature ;$v7 300 $aDescription based upon print version of record. 311 $a1-138-79417-1 311 $a0-415-80699-2 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; Note on Presentation; List of Figures; Acknowledgments; Introduction: From 'The Cinematograph' to 'The Pictures'; 1 The Cinema of Narrative Integration, the Demise of Impressionism and the Rise of Modernism; 2 Cinema's Continuous Present and Modernist Temporality; 3 Mass Consciousness and Mass Cinema; Afterword: 'a picture feverishly turned'; Notes; Bibliography; Index 330 $aModernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail's study draws on little-known sources to create a detailed picture of cinema following its 'second birth' as both institution and medium. The book presents a comprehensive 410 0$aRoutledge Interdisciplinary Perspectives on Literature 606 $aMotion pictures and literature 606 $aEnglish literature$y20th century$xHistory and criticism 606 $aModernism (Literature)$zGreat Britain 608 $aElectronic books. 615 0$aMotion pictures and literature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aModernism (Literature) 676 $a820.9/112 700 $aShail$b Andrew$f1978-,$0899565 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462765303321 996 $aThe cinema and the origins of literary modernism$92021316 997 $aUNINA