LEADER 03935oam 2200661I 450 001 9910462764303321 005 20200520144314.0 010 $a0-203-14371-X 010 $a1-283-84268-8 010 $a1-136-50140-1 024 7 $a10.4324/9780203143711 035 $a(CKB)2670000000298996 035 $a(EBL)1075346 035 $a(OCoLC)821176328 035 $a(SSID)ssj0000826669 035 $a(PQKBManifestationID)11516196 035 $a(PQKBTitleCode)TC0000826669 035 $a(PQKBWorkID)10809144 035 $a(PQKB)11658854 035 $a(MiAaPQ)EBC1075346 035 $a(Au-PeEL)EBL1075346 035 $a(CaPaEBR)ebr10630949 035 $a(CaONFJC)MIL415518 035 $a(OCoLC)892039404 035 $a(EXLCZ)992670000000298996 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe screenplay business $emanaging creativity and script development in the film industry /$fPeter Bloore 210 1$aAbingdon, Oxon :$cRoutledge,$d2013. 215 $a1 online resource (369 p.) 300 $aDescription based upon print version of record. 311 $a0-415-61333-7 311 $a0-415-61332-9 320 $aIncludes bibliographical references and index. 327 $aThe Screenplay Business Managing creativity and script development in the film industry; Copyright; Contents; List of figures; List of tables; List of boxes; Preface; Acknowledgements; Introduction: a world of stories and money; Part I The Complex world of Film Development; 1 The bigger picture: how films are developed; 2 Show me the money: the business of film and the value chain; 3 A new analysis of types of film and film development funding; 4 The creative triangle: building development relationships; 5 The reality of development: power and influence in a dynamic system 327 $a6 The development executive and the script editorPart II Managing Creative People in Film Development: Control Versus Freedom; 7 Defining creativity in the movie business; 8 Who creative people are and how to motivate them: psychology and insight; 9 Managing creative people and film development; 10 The script meeting: listening and feeding back; 11 Strengthening the development team culture and building a Sustainable Creative Company; 12 Working with the Hollywood studio system: being independent in a world of prefabricated daydreams 327 $a13 The writer: surviving development and negotiating success14 Into the future: a creative way to develop better films; Appendix A: Sternberg's analysis of levels of creative contribution, as applied to the science fiction film genre; Appendix B: Examples of script reader report forms; Notes; Bibliography; Index 330 $aThe development of a film screenplay is a complex and collaborative process, beginning with an initial story and continuing through drafting and financing to the start of the shoot. And yet the best ways of understanding and managing this process have never been properly studied. The Screenplay Business is the first book to do exactly that, addressing such questions as:How do film scripts get written, and what are the tensions between creativity and business? How can the team of the writer, producer, director and development executive work together 606 $aMotion pictures$xProduction and direction 606 $aMotion picture authorship 606 $aMotion picture industry$xFinance 608 $aElectronic books. 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion picture authorship. 615 0$aMotion picture industry$xFinance. 676 $a384/.8 700 $aBloore$b Peter.$0905248 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462764303321 996 $aThe screenplay business$92024546 997 $aUNINA