LEADER 03911nam 22007092 450 001 9910462730003321 005 20151005020623.0 010 $a1-107-52130-0 010 $a1-139-89371-8 010 $a1-107-50140-7 010 $a1-107-50677-8 010 $a1-107-51719-2 010 $a1-107-49748-5 010 $a1-107-50410-4 010 $a1-107-36002-1 035 $a(CKB)2670000000433743 035 $a(EBL)1543646 035 $a(OCoLC)860943784 035 $a(SSID)ssj0000999557 035 $a(PQKBManifestationID)12458322 035 $a(PQKBTitleCode)TC0000999557 035 $a(PQKBWorkID)10942335 035 $a(PQKB)10796697 035 $a(UkCbUP)CR9781107360020 035 $a(MiAaPQ)EBC1543646 035 $a(Au-PeEL)EBL1543646 035 $a(CaPaEBR)ebr10795374 035 $a(EXLCZ)992670000000433743 100 $a20130307d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRomanticism and caricature /$fIan Haywood$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xiv, 221 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v103 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-62068-6 311 $a1-107-04421-9 320 $aIncludes bibliographical references and index. 327 $aMilton's monsters -- James Gillray, sin, death and the devil -- Lethal money: forgery and the romantic credit crisis -- James Gillray, Midas (1797), George Cruikshank and William Hone, bank restriction note -- The aesthetics of conspiracy -- James Gillray, exhibition of a democratic transparency -- The spectral tyrant: Napoleon and the English dance of death -- Thomas Rowlandson, the two kings of terror -- The spectropolitics of romantic infidelism -- George Cruikshank, the age of reason -- The British inquisition -- George Cruikshank and William Hone, damnable association -- The return of the repressed: Henry Hunt and the reform bill crisis -- William Heath/Charles Jameson Grant, matchless eloqunce. 330 $aIan Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history. 410 0$aCambridge studies in Romanticism ;$v103. 517 3 $aRomanticism & Caricature 606 $aRomanticism 606 $aCaricature in literature 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aEnglish literature$y19th century$xHistory and criticism 615 0$aRomanticism. 615 0$aCaricature in literature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 676 $a820.9/145 700 $aHaywood$b Ian$0169027 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910462730003321 996 $aRomanticism and caricature$92489810 997 $aUNINA