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035   $a(CKB)2670000000315728
035   $a(EBL)909094
035   $a(OCoLC)818856615
035   $a(MiAaPQ)EBC909094
035   $a(EXLCZ)992670000000315728
100   $a20130418d2010||||  u||            |
101 0 $aeng
135   $aur|n|---|||||
200 10$aCool Men and the Second Sex$b[electronic resource]
210   $aNew York $cColumbia University Press$d2010
215   $a1 online resource (239 p.)
225 1 $aGender and Culture Series
300   $aDescription based upon print version of record.
311   $a0-231-12963-7 
327   $aContents; Preface: The Uncool Mother; 1. Quentin Tarantino: Anatomy of Cool; 2. Spike Lee and Brian De Palma: Scenarios of Race and Rape; 3. Edward Said: Gender, Culture, and Imperialism; 4. Andrew Ross: The Romance of the Bad Boy; 5. Henry Louis Gates Jr.: Figures in Black Masculinity; 6. Queer Theory and the Second Sex; Postscript: Doing the Right Thing; Notes; Works Cited; Index
330   $aAcademic superstars Andrew Ross, Edward Said, and Henry Louis Gates, Jr. Bad boy filmmakers Quentin Tarantino, Spike Lee, and Brian de Palma. What do these influential contemporary figures have in common? In  Cool Men and the Second Sex, Susan Fraiman identifies them all with ""cool masculinity"" and boldly unpacks the gender politics of their work. According to Fraiman, ""cool men"" rebel against a mainstream defined as  maternal. Bad boys resist the authority of women and banish mothers to the realm of the uncool. As a result, despite their hipness -- or because o
410  0$aGender and Culture Series
606   $aGender identity
606   $aMen - Attitudes
606   $aMen - Identity
608   $aElectronic books.
615  4$aGender identity.
615  4$aMen - Attitudes.
615  4$aMen - Identity.
676   $a305.31
700   $aFraiman$b Susan$0872993
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910462716403321
996   $aCool Men and the Second Sex$91948762
997   $aUNINA